In the Days of My Youth: A NovelEdwards, Amelia B.
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In the Days of My Youth: A Novel
Edwards, Amelia B.
Love stories; Medical students -- Fiction; Paris (France) -- Fiction
"Sergeant," he said, pompously, "bring the prisoner under the
gas-burner."
Lenoir, without waiting to be brought, took a couple of steps forward,
and placed himself in the light.
Monsieur le Chef then took out his double eye-glass, and proceeded to
compare Lenoir's face, feature by feature, with a photograph which he
took out of his pocket-book for the purpose.
"Are you prepared, Monsieur," he said, addressing Müller for the first
time--"are you, I say, prepared to identify the prisoner upon oath?"
"Within certain limitations--yes," replied Müller.
"Certain limitations!" exclaimed the Chef, testily. "What do you mean by
'certain limitations?' Here is the man whom you accuse, and here is the
photograph. Are you, I repeat, prepared to make your deposition before
Monsieur le Préfet that they are one and the same person?"
"I am neither more nor less prepared, Monsieur," said Müller, "than you
are; or than Monsieur le Préfet, when he has the opportunity of judging.
As I have already had the honor of informing you, I saw the prisoner for
the first time about two months since. Having reason to believe that he
was living in Paris under an assumed name, and wearing a decoration to
which he had no right, I prosecuted certain inquiries about him. The
result of those inquiries led me to conclude that he was an escaped
convict from the Bagnes of Toulon. Never having seen him at Toulon, I
was unable to prove this fact without assistance. You, Monsieur, have
furnished that assistance, and the proof is now in your hand. It only
remains for Monsieur le Préfet and yourself to decide upon its value."
"Give me the photograph, Monsieur Marmot," said a pale little man in
blue spectacles, who had come in unobserved from a door behind us, while
Müller was speaking.
The bald-headed Chef jumped up with great alacrity, bowed like a second
Sir Pertinax, and handed over the photograph.
"The peculiar difficulty of this case, Monsieur le Préfet" ... he began.
The Préfet waved his hand.
"Thanks, Monsieur Marmot," he said, "I know all the particulars of this
case. You need not trouble to explain them. So this is the photograph
forwarded from Toulon. Well--well! Sergeant, strip the prisoner's
shoulders."
A sudden quiver shot over Lenoir's face at this order, and his cheek
blenched under the tan; but he neither spoke nor resisted. The next
moment his coat and waistcoat were lying on the ground; his shirt, torn
in the rough handling, was hanging round his loins, and he stood before
us naked to the waist, lean, brown, muscular--a torso of an athlete done
in bronze.
We pressed round eagerly. Monsieur le Chef put up his double eye-glass;
Monsier le Préfet took off his blue spectacles.
"So--so," he said, pointing with the end of his glasses towards a
whitish, indefinite kind of scar on Lenoir's left shoulder, "here is a
mark like a burn. Is this the brand?"
The sergeant nodded.
Public-domain text, read in full here on John Shaqi.
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