In the Days of My Youth: A NovelEdwards, Amelia B.
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In the Days of My Youth: A Novel
Edwards, Amelia B.
Love stories; Medical students -- Fiction; Paris (France) -- Fiction
"Not those who study the exact sciences--not the student of law or
divinity--nor he who, like myself, is a student of medicine. He is the
slave of Fact, and Art is the Eden of his banishment. His imagination is
for ever captive. His horizon is for ever bounded. He is fettered by
routine, and paralyzed by tradition. His very ideas must put on the
livery of his predecessors; for in a profession where originality of
thought stands for the blackest shade of original sin, skill--mere
skill--must be the end of his ambition."
She looked at me, and the moonlight showed me that sad smile which her
lips so often wore.
"You do not love your profession," she said.
"I do not, indeed."
"And yet you labor zealously to acquire it--how is that?"
"How is it with hundreds of others? My profession was chosen for me. I
am not my own master."
"But are you sure you would be happier in some other pursuit? Supposing,
for instance, that you were free to begin again, what career do you
think you would prefer?"
"I scarcely know, and I should scarcely care, so long as there was
freedom of thought and speculation in it."
"Geology, perhaps--or astronomy," she suggested, laughingly.
"Merci! The bowels of the earth are too profound, and the heavens too
lofty for me. I should choose some pursuit that would set the Ariel of
the imagination free. That is to say, I could be very happy if my life
were devoted to Science, but my soul echoes to the name of Art."
"'The artist creates--the man of science discovers," said Hortense.
"Beware lest you fancy you would prefer the work of creation only
because you lack patience to pursue the work of discovery. Pardon me, if
I suggest that you may, perhaps, be fitted for neither. Your sphere, I
fancy, is reflection--comparison--criticism. You are not made for
action, or work. Your taste is higher than your ambition, and you love
learning better than fame. Am I right?"
"So right that I regret I can be read so easily."
"And therefore, it may be that you would find yourself no happier with
Art than with Science. You might even fall into deeper discouragement;
for in Science every onward step is at least certain gain, but in Art
every step is groping, and success is only another form of effort. Art,
in so far as it is more divine, is more unattainable, more evanescent,
more unsubstantial. It needs as much patience as Science, and the
passionate devotion of an entire life is as nothing in comparison with
the magnitude of the work. Self-sacrifice, self-distrust, infinite
patience, infinite disappointment--such is the lot of the artist, such
the law of aspiration."
"A melancholy creed."
"But a true one. The divine is doomed to suffering, and under the hays
of the poet lurk ever the thorns of the self-immolator."
"But, amid all this record of his pains, do you render no account of his
pleasures?" I asked. "You forget that he has moments of enjoyment lofty
as his aims, and deep as his devotion.
Public-domain text, read in full here on John Shaqi.
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