But the thought of certain stokers the sailors of the submarine failed altogether to save brings me back to the thread of grotesque horror that runs through all this event, the thread I cannot overlook for all the splendors of human well-being that have come from it. I cannot forget the unguided ships that drove ashore, that went down in disaster with all their sleeping hands, nor how, inland, motor-cars rushed to destruction upon the roads, and trains upon the railways kept on in spite of signals, to be found at last by their amazed, reviving drivers standing on unfamiliar lines, their fires exhausted, or, less lucky, to be discovered by astonished peasants or awakening porters smashed and crumpled up into heaps of smoking, crackling ruin. The foundry fires of the Four Towns still blazed, the smoke of our burning still denied the sky. Fires burnt indeed the brighter for the Change—and spread. . . . § 3 Picture to yourself what happened between the printing and composing of the copy of the _New Paper_ that lies before me now. It was the first newspaper that was printed upon earth after the Great Change. It was pocket-worn and browned, made of a paper no man ever intended for preservation. I found it on the arbor table in the inn garden while I was waiting for Nettie and Verrall, before that last conversation of which I have presently to tell. As I look at it all that scene comes back to me, and Nettie stands in her white raiment against a blue-green background of sunlit garden, scrutinizing my face as I read. . . . It is so frayed that the sheet cracks along the folds and comes to pieces in my hands. It lies upon my desk, a dead souvenir of the dead ages of the world, of the ancient passions of my heart. I know we discussed its news, but for the life of me I cannot recall what we said, only I remember that Nettie said very little, and that Verrall for a time read it over my shoulder. And I did not like him to read over my shoulder. . . . The document before me must have helped us through the first awkwardness of that meeting. But of all that we said and did then I must tell in a later chapter. . . . It is easy to see the _New Paper_ had been set up overnight, and then large pieces of the stereo plates replaced subsequently. I do not know enough of the old methods of printing to know precisely what happened. The thing gives one an impression of large pieces of type having been cut away and replaced by fresh blocks. There is something very rough and ready about it all, and the new portions print darker and more smudgily than the old, except toward the left, where they have missed ink and indented. A friend of mine, who knows something of the old typography, has suggested to me that the machinery actually in use for the _New Paper_ was damaged that night, and that on the morning of the Change Banghurst borrowed a neighboring office—perhaps in financial dependence upon him—to print in.