We common people of the old time based our conception of our statesmen almost entirely on the caricatures that formed the most powerful weapon in political controversy. Like almost every main feature of the old condition of things these caricatures were an unanticipated development, they were a sort of parasitic outgrowth from, which had finally altogether replaced, the thin and vague aspirations of the original democratic ideals. They presented not only the personalities who led our public life, but the most sacred structural conceptions of that life, in ludicrous, vulgar, and dishonorable aspects that in the end came near to destroying entirely all grave and honorable emotion or motive toward the State. The state of Britain was represented nearly always by a red-faced, purse-proud farmer with an enormous belly, that fine dream of freedom, the United States, by a cunning, lean-faced rascal in striped trousers and a blue coat. The chief ministers of state were pickpockets, washerwomen, clowns, whales, asses, elephants, and what not, and issues that affected the welfare of millions of men were dressed and judged like a rally in some idiotic pantomime. A tragic war in South Africa, that wrecked many thousand homes, impoverished two whole lands, and brought death and disablement to fifty thousand men, was presented as a quite comical quarrel between a violent queer being named Chamberlain, with an eyeglass, an orchid, and a short temper, and “old Kroojer,” an obstinate and very cunning old man in a shocking bad hat. The conflict was carried through in a mood sometimes of brutish irritability and sometimes of lax slovenliness, the merry peculator plied his trade congenially in that asinine squabble, and behind these fooleries and masked by them, marched Fate—until at last the clowning of the booth opened and revealed—hunger and suffering, brands burning and swords and shame. . . . These men had come to fame and power in that atmosphere, and to me that day there was the oddest suggestion in them of actors who have suddenly laid aside grotesque and foolish parts; the paint was washed from their faces, the posing put aside.