In the Days of the CometWells, H. G. (Herbert George)
Science
In the Days of the Comet
Wells, H. G. (Herbert George)
Comets -- Collisions with Earth -- Fiction; Political fiction; Science fiction; Utopian fiction; Utopias -- Fiction
I did not awaken with a start, but opened my eyes, and lay very
comfortably looking at a line of extraordinarily scarlet poppies that
glowed against a glowing sky. It was the sky of a magnificent sunrise,
and an archipelago of gold-beached purple islands floated in a sea of
golden green. The poppies too, swan-necked buds, blazing corollas,
translucent stout seed-vessels, stoutly upheld, had a luminous quality,
seemed wrought only from some more solid kind of light.
I stared unwonderingly at these things for a time, and then there rose
upon my consciousness, intermingling with these, the bristling golden
green heads of growing barley.
A remote faint question, where I might be, drifted and vanished again
in my mind. Everything was very still.
Everything was as still as death.
I felt very light, full of the sense of physical well-being. I
perceived I was lying on my side in a little trampled space in a weedy,
flowering barley field, that was in some inexplicable way saturated
with light and beauty. I sat up, and remained for a long time filled
with the delight and charm of the delicate little convolvulus that
twined among the barley stems, the pimpernel that laced the ground
below.
Then that question returned. What was this place? How had I come to be
sleeping here?
I could not remember.
It perplexed me that somehow my body felt strange to me. It was
unfamiliar—I could not tell how—and the barley, and the beautiful
weeds, and the slowly developing glory of the dawn behind; all those
things partook of the same unfamiliarity. I felt as though I was a
thing in some very luminous painted window, as though this dawn broke
through me. I felt I was part of some exquisite picture painted in
light and joy.
A faint breeze bent and rustled the barley-heads, and jogged my mind
forward.
Who was I? That was a good way of beginning.
I held up my left hand and arm before me, a grubby hand, a frayed cuff;
but with a quality of painted unreality, transfigured as a beggar might
have been by Botticelli. I looked for a time steadfastly at a beautiful
pearl sleeve-link.
I remembered Willie Leadford, who had owned that arm and hand, as
though he had been some one else.
Of course! My history—its rough outline rather than the immediate
past—began to shape itself in my memory, very small, very bright and
inaccessible, like a thing watched through a microscope. Clayton and
Swathinglea returned to my mind; the slums and darkness, Dureresque,
minute and in their rich dark colors pleasing, and through them I went
towards my destiny. I sat hands on knees recalling that queer
passionate career that had ended with my futile shot into the growing
darkness of the End. The thought of that shot awoke my emotions again.
There was something in it now, something absurd, that made me smile
pityingly.
Poor little angry, miserable creature! Poor little angry, miserable
world!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account