Great Britain -- History -- Henry II, 1154-1189 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
The bulky loom of Cornelys Bat was set up next morning in the old hall,
and the Queen came down to watch the strange, complex, curious task.
Then she would take the shuttle herself and try it, and to the surprise
of every one, kept at the task until she might well have challenged a
journeyman. While the threads interlaced and shifted in a rainbow maze
her mind was traveling strange pathways. The shuttle, flung to and fro
in deft strong skill, was not like the needle with its maddening stitch
after stitch, and there was no petty chatter in the room. The Flemish
weaver might be silent, but he was not stupid, and the drawboy, the
dusky youth with the coarse black hair, was like a wild panther-cub.
Such a blend as these weaving-folk, brought together by one aim, could
teach the arbitrary barons their place. Normandy, Aquitaine, Anjou,
Brittany,--England, Scotland, Ireland, Wales--what a web of Empire they
would make! And if into the dull russet and gray of this England there
came a vivid young life like her Richard's--yellow hair, sea-blue eyes,
gay daring, impulsive gallantry--and under all the stern fiber of the
Norman--what kind of a tapestry would that be? Thus, as women have done
through the centuries, Eleanor of Aquitaine let her mind play about her
fingers.
After a while she left the work to the weavers and watched Mary Lavender
making dyestuffs under Tomaso's direction. It was fascinating to try
for a color and make it come to a shade. It was yet more so to make new
combinations and see what happened. Red and green dulled each other. A
touch of orange made scarlet more brilliant. Lavender might be deepened
to royal violet or paled to the purple-gray of ashes. The yarns, as the
skillful Flemings handled them, were better than any gold thread, and
the gorgeous blossom-hues of the wools were like an Eastern carpet.
Presently the Queen began devising a set of hangings for a State
bedchamber, the pictures to be scenes from the life of Charlemagne--the
suggested comparison of this monarch with the King had its point. An
Irish monk-bred lad with a knack at catching likenesses came by, and
made the designs, under Queen Eleanor's direction; and during this
undertaking she learned much concerning the state of Ireland. That ended
and the weaving begun, she took to questioning Cimarron the drawboy.
"I suppose," she jibed, "men grow like that they live by, or you would
never have been driven out of London like sheep. I may become lamblike
myself some day."
Cimarron's white teeth gleamed. "I would not say that we went like
sheep," he retorted, and he told the story of their going. "There were
the old folk and the little ones, your Grace," he ended. "The master
cares for his own people, and his work. He does not heed other folk's
opinions."
The Queen laughed gleefully. "I wish I had been at that hunting--the
wolves driven by their quarry. My faith, a weaver's beam is not such
a bad weapon after all."
Public-domain text, read in full here on John Shaqi.
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