Great Britain -- History -- Henry II, 1154-1189 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
Joan, the little daughter of the hurer, sat on a three-legged stool in
the corner of her father's shop, nursing her baby. It was not much of
a baby, being only a piece of wood with a knob on the end. But the shop
was not much of a shop. Gilles the hurer was a cripple, and it was all
that he could do to give Joan and her mother a roof over their heads.
They had sometimes two meals a day; oftener one; occasionally none at
all.
If he could have made hats and caps like those which he used to make
when he was a tradesman in Milan, every sort of fine goods would have
come into the shop. In processions and pageants, at banquets, weddings,
betrothals, christenings, funerals, on every occasion in life, the
people wore headgear which helped to make the picture. The fashion of
a man's hat suited his position in life. Details and decorations varied
more or less, but the styles very seldom did. Velvet and fur were
allowed only to persons of a certain dignity; hats were made to show
embroidery, which might be of gold thread and jeweled. Merchants wore
a sort of hood with a long loose crown which could be used as a pocket.
This protected the neck and ears on a journey, and had a lining of
wool, fur, or lambskin. Court ladies wore hoods of velvet, silk or
fine cloth for traveling. At any formal social affair a lady wore some
ornamental head-dress with a veil which she could draw over her face.
The wimple, usually worn by elderly women, was a scarf of fine linen
thrown over the head, brought closely around the throat and chin, and
held by a fillet. In later and more luxurious and splendid times, the
cone-shaped and crescent-shaped head-dresses came in.
Hats were not common in the twelfth century. The hair fell in carefully
arranged curls, long braids or loose tresses on the shoulders; the face
was framed in delicate veils of silk or sendal, kept in place by a
chaplet of flowers or a coronet of gold. Every maiden learned to weave
garlands in set patterns, and could make a wreath in any one of several
given styles, for her own hair or for decorating a building. Red, green
and blue were the colors most often used in dress, and on any festival
day the company presented a very gay appearance.
Public-domain text, read in full here on John Shaqi.
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