Great Britain -- History -- Henry II, 1154-1189 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
"The work cannot wait for that, little one," Quentin answered laughing.
"Richard is only sixteen, and John still younger. Yet they do say that
the King is planning an alliance with Princess Alois of France for
Richard, and is in treaty with Hubert the Duke of Maurienne for his
daughter to wed with John. I think, myself, that Richard will choose
his own bride."
Joan said nothing, but in her own mind she thought it would be most
unpleasant to be married off like that, by arrangements made years
before.
"The marriage with Hubert's daughter," Quentin added half to himself,
"would keep open the way into Italy if it were needed. It is a bad thing
to have an enemy blocking your gate."
Although her poppet was carved so that the small out-held hands and arms
were clear of the body, and dresses could be fitted over them, Joan
found that there were but few points or edges that were likely to be
chipped off. The wood was well seasoned, and the carving followed the
grain most cunningly. Neither dampness nor wood-boring insects could
easily get into the channels where sap once ran. This was part of the
wisdom of wood-carving.
When Joan grew too old to play with her poppet she sometimes carried
her to some fine house to show a new fashion, or style of embroidery.
Marguerite had a finer wardrobe than any modern doll, for the little
hats, hoods and head-dresses had each a costume to go with it, and all
were kept in a chest Quentin had made for her, with the arms of Milan
on the lid. No exiled Milanese ever quite gave up the hope that some day
the city would be rebuilt in all its splendor, and the foreign governors
driven from Lombardy. Joan used to hear her father talking of it with
their next lodger, Giovanni Bergamotto, who was a peddler at fairs.
Gilles had had steady work for a long time, and was making not only the
rough caps he used to make, now turned out by an apprentice, but fine
hats and caps for the wealthy. A carved and gilded hat swung before the
door, and Joan learned embroidery of every kind. She saw Quentin now and
then, and one day he sent word to her, by the wool-merchant Robert
Edrupt, that Queen Eleanor wished to see the newest court fashions, and
that Joan might journey with Edrupt and his wife to the abbey where she
was living. It was one of the best known houses in England, and the
Abbess was of royal blood. It was not at all unusual for its guest-rooms
to be occupied by Queens and Princesses.
Quentin had been sent there to do some work for the Abbey, and in that
way the Queen, through Philippa, her maid of honor, had heard of Joan.
"I suppose it is a natural desire in a woman," Master Edrupt said when
they talked of the matter, "but somehow I would stake my head it is not
the fashions she is after."
Barbara his wife smiled but said nothing. She agreed.
Public-domain text, read in full here on John Shaqi.
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