Great Britain -- History -- Henry II, 1154-1189 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
"If you find any more," answered Audrey, pushing Pincher away from the
dish of cold meat, "you can have them. I'd rather have our dishes in
sets, I think."
Edwitha was poking about in the bank where she had found the bowl, late
that afternoon, when Wilfrid came up the bank. There seemed to be no
more dishes in sight.
"What have you found?" asked Wilfrid. He held it up in the sunlight, and
drew a quick breath of delight. "How beautiful it is!" he exclaimed in
a low voice.
Edwitha was silent. She was filled with a great happiness because she
had the bowl.
"I wonder how it came to be here," mused Wilfrid, and fell to digging
and prodding the earth.
"There isn't another in the hole," said Edwitha. "I've been here a long
time."
"This is the only bit I ever saw that was found just here. But see here,
Edwitha, this is clay. It is exactly like the clay they use at the
pottery down by the ford, but finer--I think. I tell you--I believe
there was a pottery here once."
He and Edwitha took the bowl and a few lumps of the clay, next morning,
to the Master Potter beyond the village. Wilfrid had served his
apprenticeship at this pottery and was now a journeyman. The clay proved
to be finer and more workable than that near the pottery, and the
deposit was close to the high road, so that donkeys and pack-horses
could come up easily to be loaded with their earthen pots. It was even
possible, so the Master Potter said, that it would make a better grade
of ware than they had been able to make hitherto. Finally, and most
important from the point of view of Wilfrid and Edwitha, it was on
Wilfrid's own farm, he had his old mother to support, and this discovery
might make it possible for him to have his own pottery and be a Master
Potter.
Edwitha often wished that the bowl could speak, and tell her how it was
made, and who drew the little dancing figures. In course of time Wilfrid
tried some experiments with pottery, ornamenting it with figures in
white clay on the colored ground, and searching continually for new and
better methods of glazing, baking, and modeling his wares. At last, when
the years of his apprenticeship had all been served, and he knew
everything that was taught in the old Sussex pottery by the ford, he
came one spring twilight to the farmhouse and found Edwitha in the
garden.
"It is no use," he said, half-laughing. "I shall never be content to
settle down here until I have seen what they are doing in other lands.
If there is anywhere a man who can make things like that bowl of yours,
I must learn what he can teach me. It may be that the secret has been
lost--if it has, I will come back and work here again. A man was never
meant to do less than his best, Edwitha."
"I know," said Edwitha. "Those figures make me feel so too. They always
did. I don't want to live anywhere but here--and now Audrey has gone
away, uncle and aunt could never do without me--but I wish we could make
beautiful things in England."
Public-domain text, read in full here on John Shaqi.
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