Great Britain -- History -- Henry II, 1154-1189 -- Juvenile fiction; Guilds -- Juvenile fiction; Middle Ages -- Juvenile fiction
After a while Cimarron, or Zamaroun as the other 'prentices called him,
was promoted from porter to draw-boy, as the weaver's assistant was
termed. This work did not need skill, exactly, but it did demand
strength and close attention. The boy from the Pyrenees was as strong
as a young ox, and he was never tired of watching the work and seeing
exactly how it was done. His silent, quick strength suited Cornelys
Bat. Weaving is work which needs the constant thought of the weaver,
especially when the work is tapestry, and just at present the Flemings
had secured an order for a set of tapestries for one of the King's
country houses. Henry II. was so continually traveling that the King of
France once petulantly observed that he must fly like a bird through
the air to be in so many places during the year. He had a way of mixing
sport with state affairs, and a week spent in some palace like Woodstock
or Clarendon might be divided evenly between his lawyers and his
hunting-dogs. It is also said of him that he never forgot a face or a
fact once brought to his notice. Perhaps he learned more on his hunting
trips than any one imagined.
[Illustration: HIGH-WARP LOOM]
[Illustration: LOW-WARP LOOM]
The tapestry weaving was far more complex and difficult than anything
done by Barbara Edrupt's maids. The loom used by the Flemings was a
"low-warp" loom, in which the web is horizontal. When the heavy timbers
were set up they were mortised together, that is, a projection in one
fitted into a hollow in another, dovetailing them together without
nails. Wooden pegs fitted into holes, and thus the frame, in all its
parts, could be taken to pieces and carried from place to place on
pack-horses if necessary. An ordinary loom was about eight feet long and
perhaps four feet wide, the web usually being not more than a yard wide,
and more commonly twenty-three or four inches. Broadcloth was woven in
those days, but not very commonly, for it needed a specially constructed
loom and two weavers, one for each side, because of the width of the
cloth. In tapestry weaving the picture was made in strips, as a rule,
and sewed together.
Public-domain text, read in full here on John Shaqi.
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