In the Dead of Night: A Novel. Volume 3 (of 3)Speight, T. W. (Thomas Wilkinson)
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In the Dead of Night: A Novel. Volume 3 (of 3)
Speight, T. W. (Thomas Wilkinson)
English fiction -- 19th century
Evidently nothing more was to be got from her. But she had said enough
already to confirm his worst fears. Mother Mim, out of spite for the
neglect with which he had treated her, had made a confession at the
last moment, similar in purport to what she had told him when last
there. Such a confession—if not absolutely dangerous to him—she having
assured him that none of the witnesses were now living—might be made a
source of infinite annoyance to him. Such a story, once made public,
might bring forth witnesses and evidence from twenty hitherto
unsuspected quarters, and fetter him round, link by link, with a chain
of evidence from which he might find it impossible to extricate
himself. At every sacrifice, Mother Mim’s confession must be destroyed
or suppressed. Such were some of the thoughts that passed through
Kester’s mind as he stood there biting his nails. Again and again he
cursed himself in that he had allowed any such confession to emanate
from the dead woman, whose silence a little extra kindness on his part
would have effectually secured.
“And where is this Dirty Jack, as you call him?” he said, at last.
“He’s in there”—indicating the hut with a jerk of her head—“fast
asleep.”
“Fast asleep in the same room with your grandmother?”
“Why not? He had a bottle of whiskey with him which he kept sucking at.
At last he got half screwy, and when all was over he said he would have
a snooze by the fire and pull himself together a bit before going
home.”
Kester said no more, but going up to the hut, opened the door and went
in. On the pallet at the farther end lay the dead woman, her body
faintly outlined through the sheet that had been drawn over her. A
clear fire was burning in the broken grate, and close to it, on the
only chair in the place, sat a man fast asleep. His hands were grimy,
his linen was yellow, his hair was frowsy. He was a big bulky man, with
a coarse, hard face, and was dressed in faded threadbare black. He had
a wooden leg, which just now was thrust out towards the fire, and
seemed as if it were basking in the comfortable blaze.
On the chimney-piece was an empty spirit-bottle, and in a corner near
at hand were deposited a broad-brimmed hat, greasy and much the worse
for wear, and a formidable looking walking-stick.
Such was the vision of loveliness that met the gaze of Kester St.
George as he paused for a moment or two just inside the cottage door.
Then he coughed and advanced a step or two. As he did so the man
suddenly opened his eyes, got up quickly but awkwardly out of his
chair, and laid his hand on something that was hidden in an inner
pocket of his coat. “No, you don’t!” he cried, with a wave of his hand.
“No, you don’t! None of your hanky-panky tricks here. They won’t go
down with Jack Skeggs, so you needn’t try ’em on!”
Kester stared at him in unconcealed disgust. It was evident that he was
still under the partial influence of what he had been drinking.
Public-domain text, read in full here on John Shaqi.
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