In the Dead of Night: A Novel. Volume 3 (of 3)Speight, T. W. (Thomas Wilkinson)
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In the Dead of Night: A Novel. Volume 3 (of 3)
Speight, T. W. (Thomas Wilkinson)
English fiction -- 19th century
“You are not looking quite so well, my dear, as when I saw you last,”
had been his first words after kissing her. Her cheeks were, indeed,
just beginning to look in the slightest degree hollow and worn, nor did
her eyes look quite so bright as of old. The wonder was, considering
all that she had gone through during the last twelve months, that she
looked as fair and fresh as she did. Of Mrs. Garside, whom we have not
seen for some little time, it may be said that she looked plumper and
more matronly than ever. But then nothing could have kept Mrs. Garside
from looking plump and matronly. She was one of those people off whom
the troubles and anxieties of life slip as easily as water slips off a
duck’s back. Although she had a copious supply of tears at command,
nothing ever troubled her deeply or for long, simply because there was
no depth to be troubled. She was always cheerful, because she was
shallow; and she was always kind-hearted so long as her kindness of
heart did not involve any self-sacrifice on her part. “What a very
pleasant person Mrs. Garside is,” was the general verdict of society.
And so she was—very pleasant. If her father had been hanged on a Monday
for sheepstealing, by Tuesday she would have been as pleasant and
cheerful as ever.
But we must not be unjust to Mrs. Garside. She had one affection, and
one only, her love for Edith. During all the days of Edith’s
tribulation, her aunt had never deserted her—had not even thought of
deserting her; and now, for Edith’s sake, she had buried herself alive
in Fern Cottage, where her only excitement was a little mild shopping,
now and then, in Duxley High Street, under the incognito of a thick
veil, or a welcome visit once and again from Miss Culpepper. Under
these depressing circumstances, it ought perhaps to be put down to the
credit of Mrs. Garside, rather than to her discredit, that her
cheerfulness was not one whit abated, and that her face was a picture
of health and content.
Public-domain text, read in full here on John Shaqi.
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