In the Footprints of the PadresStoddard, Charles Warren
History
In the Footprints of the Padres
Stoddard, Charles Warren
California -- Description and travel; San Francisco (Calif.)
We returned in a body, a defeated brotherhood, accepting as a
peace-offering such life-giving draughts as compelled us, almost against
our will, to drink to the very dregs in token of full surrender. Then
rheumatism and I lay down together, and a little child might have
played with any two of us. I assured my miserable companions that "I was
not accustomed to such treatment." Alf added that "it was more than he
had bargained for." Bartholomew had neither speech nor language
wherewith to vent his spleen. As for the bland and blooming Croesus--he
who had been lapped in luxury and cradled in delight--it was his private
opinion, publicly expressed, that "the like of it was unknown in the
annals of social history."
[Illustration: "The Gallery Among the Huge Vases of Palms and
Creepers."]
Yet on the Sunday--our final day at the bungalow--you would have thought
that the gods had assembled together to hold sweet converse; and, when
we lounged in the shadow of the invisible Ida, never looked the earth
more fair to us. The whole land was in blossom from the summit to the
sea; the gardeners, as they walked among their vines, prated of Sicily
and sang songs of their Sun-land. There was no chapel at hand, and no
mass for the repose of souls that had been sorely troubled; but the
charm of those young women--they were salving our wounds as women know
how to do--and the voluptuous feast that was laid for us, when we
emptied the fatal larder; the music, and the thousand arts employed to
restore beauty and order out of the last night's chaos, made us better
than new men, and it taught us a lesson we never shall forget--though
from that hour to this, neither one nor the other of us, in any way,
shape, or fashion whatever, has referred in the remotest degree to that
eventful night in a Californian bungalow.
PRIMEVAL CALIFORNIA
"Primeval California" was inscribed on the knapsack of the Artist, on
the portmanteau of Foster, the Artist's chum, and on the fly-leaf of the
note-book of the Scribe. The luggage of the boisterous trio was checked
through to the heart of the Red Woods, where a vacation camp was
pitched. The expected "last man" leaped the chasm that was rapidly
widening between the city front of San Francisco and the steamer bound
for San Rafael, and approached us--the trio above referred to--with a
slip of paper in his hand. It was not a subpoena; it was not a dun; it
was a round-robin of farewells from a select circle of admirers, wishing
us joy, Godspeed, success in art and literature, and a safe return at
last.
Public-domain text, read in full here on John Shaqi.
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