In the Footprints of the PadresStoddard, Charles Warren
History
In the Footprints of the Padres
Stoddard, Charles Warren
California -- Description and travel; San Francisco (Calif.)
There were vines creeping everywhere within the room, from jars that
stood on brackets and made hanging gardens of themselves; creepers,
yards in length that sprung from the mouths of water-pots hidden behind
objects of interest, and these framed the pictures in living green; a
huge wide-mouthed vase stood in the bay window filled with a great pulu
fern still nourished by its native soil--a veritable tropical island
this, now basking in the moonlight far from its native clime. Japanese
and Chinese lanterns were there; and an ostrich egg brought from Nubia
that hung like an alabaster lamp lit by a moonbeam; and fans, of course,
but quaint barbaric ones from the Orient and the Equatorial Isles; and
framed and unframed photographs of celebrities each bearing an original
autograph; and easy chairs, nothing but the easiest chairs from the very
far-reaching one with the long arms like a pair of oars over which one
throws his slippered feet, and lolls in his pajamas in memory of an East
Indian season of exile, to the deep nest-like sleepy hollow quite big
enough for two, in which one dozes and dreams, and out of which it is so
difficult for one to rise. Over all this picturesque confusion grinned a
fleshless human skull with its eye sockets and yawning jaws stuffed full
of faded boutonnieres.
The moon shone, but paler now for it was growing late, on a closed coupe
that rolled rapidly from the Club House in the early morning after a
High Jinks night, and clattered through the streets accompanied by the
matutinal milk wagons with their frequent, intermittent pauses; thus it
rolled and rolled over the resounding pavement toward that house on the
hill top, The Eyrie.
The vehicle zigzagged up the steep grade, and stopped at the foot of
the long stairway; some one alighted and exchanged a friendly word or
two with the driver, for in that lonely part of the town it was pleasant
to hear the sound of one's own voice even if one was guiltily conscious
of making conversation; then with a cheerful "Good-night," this some-one
climbed the steps while the vehicle hurried away with its jumble of
hoofs and wheels. A key was heard at the outer door; the door sagged a
little in common with everything about the house--and a tenant passed
into the Eyrie.
Enter Paul Clitheroe, sole scion of that melancholy house whose
foundations had sunk under him, and left him, at the age of five and
twenty, master of himself, but slave to fortune.
In the dim light he closed and fastened the outer door; from a hall
scarcely large enough for two people to pass in, he entered the inner
room with the confident step of a familiar. Having deposited hat, cane
and ulster in their respective places--there was a place for everything
or it would have been quite impossible to abide in that snuggery--he
sank into one of the easy chairs, rolled a cigarette with meditative
deliberation, lighted it and blew the smoke into the moonlight where it
assumed a thousand fantastic forms.
Public-domain text, read in full here on John Shaqi.
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