Their eyes met and she thought for a moment that she was winning her contest. But he put her hand aside gently and answered: "Now, Laura, I'm busy, exceedingly busy. This mine accident is bound to come before me in one form or another soon, and I must be ready for it, and it is a serious matter. There will be all kinds of attacks upon the property." "The property?" she asked, and he answered: "Why, yes--legal attacks upon the mine--to bleed the owners, and I must be ready to guard them against these assaults, and I just can't jump and run every time Lila coos or you cut a string on a package. I'll be out to-night and we'll hear Lila and look at the rugs." To the disappointment upon her face he replied: "I tell you, Laura, sentiment is going to wreck your life if you don't check it." The man looked into his book without reading. He had come to dislike these little scenes with his wife. He looked from his book out of the window, into the snowy street. He remembered his morning walk. There was no talk of souls in those eyes, no hint of higher things from those lips, no covert taunt of superiority in that face. Laura did not wince. But her eyes filled and her voice was husky as she spoke: "Tom, I want your soul again--the one that used to speak to me in the old days." She bent over him, and rubbed her cheek against his and there she left him, still looking into the street. That evening at sunset, Judge Van Dorn, with his ulster thrown back to show his fine figure, walked in his character of town Prince homeward up the avenue. His face was amiable; he was gracious to every one. He spoke to rich and poor alike, as was his wont. As he turned into his home yard, he waved at a little face in the window. In the house he was the spirit of good nature itself. He was full of quips and pleasantries and happy turns of speech. But Laura Van Dorn had learned deep in her heart to fear that mood. She was ashamed of her wisdom--degraded by her doubt, and she fought with it. And yet a man and a woman do not live together as man and wife and parents without learning much that does not come from speech and is not put into formulated conviction. The signs were all for trouble, and in the secret places of her heart she knew these signs. She knew that this grand manner, this expansive mood, this keying up of attentions to her were the beginnings of a sad and sordid story--a story that she did not entirely understand; would not entirely translate, but a story that sickened her very soul. To keep the table talk going, she said: "Tom, it's wonderful the way Kenyon is taking to the violin. He has a real gift, I believe."