The most dramatic agency in life is time--time that escapes the staged drama. The passing years, the ceaseless chiselling of continuous events upon a soul, the reaction of a creed upon the material routine of the days, the humdrum living through of life that brings to it its final color and form--these things shape us and guide us, make us what we are, and alas, the story and the stage may only mention them. It is all very fine to say that as the years of work and aspiration passed, Grant Adams's channel of life grew narrower. But what does that tell? Does it tell of the slow, daily sculpturing upon his character of the three big, emotional episodes of his life? To be a father in boyhood, a father ashamed, yet in duty bound to love and cherish his child; to face death in youth horribly and escape only when other men's courage save him; to react upon that experience in a great spiritual awakening that all but touched madness; and to face unspeakable pain and terror and possible death to justify one's fanatic consecration. Then day by day to renounce ambition, to feel no desire for those deeper things of the heart that gather about a home and the joys of a home; to be atrophied where others are quick and to be supersensitive and highstrung where others are dull; these are facts of Grant Adams's life, but the greater facts are hidden; for they pass under the slow and inexorably moving current of life. They are that part of the living through of life that may not be staged nor told. But something of the living through is marked on the man. Here he stands toward the close of the century that bore him--a tall, spare, red-haired, flint-visaged, wire-knit man, prematurely middle-aging in late youth. Under his high white forehead are restless blue eyes--deep, clear, challenging, combative blue eyes, a big nose protrudes from under the eyes that marks a willful, uncompromising creature and a big strong mouth, not finely cut, but with thick, hard lips, often chapped, that cover large irregular teeth. The face is determined and dogged--almost brutal sometimes when at rest; but when a smile lights it, a charm and grace from another being illumines the solemn countenance and Grant Adams's heart is revealed. The face is Puritan--all Adams, dour New England Adams, and the smile Irish--from the joyous life of Mary Sands.