But she could not get him to work for a living. He wouldn't even keep
office hours. Lecturing settled nothing. Lecturing a youth in a black
and gold blazer, duck trousers and a silk shirt and a red sash, with
socks and hat to match his coat, lecturing a youth who plays the
mandolin while you talk, and looks at you through hazel eyes with all
the intelligence of an affectionate pup, lecturing a youth who you know
would be kissing you at the moment if you weren't twenty pounds heavier
and twice as strong--someway doesn't arouse enthusiasm. So Morty Sands
remained a problem.
Now an affair of the heart when a man is in his twenties and a girl is
just passing out of her teens, is never static; it is dynamic and always
there is something doing.
It was after one of Morty's innumerable summer dances in the Sands Opera
House, that Fate cast her dies for the final throw. Morty had filled
Laura Nesbit's program scandalously full. Two Newports, three military
schottisches, the York, the Racket--ask grandpa and grammer about these
dances, ye who gyrate in to-day's mazes--two waltz quadrilles and a
reel. And when you have danced half the evening with a beautiful girl,
Fate is liable to be thumping vigorously on the door of your heart. So
Morty walking home under a drooping August moon with Laura Nesbit that
night determined to bring matters to a decision. As they came up the
walk to the Nesbit home, the girl was humming the tune that beat upon
his heart, and almost unconsciously they fell to waltzing. At the
veranda steps they paused, and his arm was around her. She tried to move
away from him, and cuffed him as she cried: "Now Morty--you know--you
know very well what I've always--"
"Laura--Laura--" he cried, as he held her hand to his face and tried to
focus her soul with his brown eyes, "Laura," he faltered, then words
deserted him: the fine speech he had planned melted into, "O, my
dear--my dear!" But he kept her hand. The pain and passion in his voice
cut into the girl's heart. She was not frightened. She did not care to
run. She did not even take his persisting arm from about her. She let
him kiss her hand reverently, then she sat with him on the veranda step
and as they sat she drew his arm from her waist until it was hooked in
her arm, and her hand held his.
"Oh, I'm in earnest to-night, Laura," said Morty, gripping her hand.
"I'm staking my whole life to-night, Laura. I'm deadly--oh, quite deadly
serious, Laura, and oh--"
"And I'm serious too, Morty," said the girl--"just as serious as you!"
She slipped her hand away from his and put her hand upon his shoulder
gently, almost tenderly. But the youth felt a certain calmness in her
touch that disheartened him.
Public-domain text, read in full here on John Shaqi.
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