In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
“Ah,” I shouted, “you dog, I will enlighten your eyes,” and, opening
suddenly the morocco case, I produced the huge glittering old amputating
knife, and brandished it in his face. Without a word he nimbly turned and
fled down my staircase, pursued by my servants, the two sentries, and the
more active of my patients’ friends.
“Stop, thief!” I shouted from my open window; “stop, thief!”
This resounded along the crowded bazaar. Every idler took up the cry;
every hand and every stick was turned on the flying man. In an instant he
was secured, his clothes torn to rags by the seething mob in the bazaar.
I shouted to him from the open window, and sarcastically asked him if he
was blind or not.
“Oh, sahib, sahib, through your kindness I see, indeed I do.”
But I was not satisfied with this, and sent him, under guard of my
servant and the two sentries, to the high priest, who registered his
confession of attempted imposture, and drew up a _procès verbal_, to
which he affixed his seal. It is an ill wind that blows no one any good,
and the matter was for several days the talk of the town, and increased
my practice for the time.
When I say that the high priest “affixed his seal,” I may explain that
sealing is always used in lieu of signing. When a Persian writes a
letter, he affixes his seal by dipping his finger against the sponge-like
ball of silk, that is full of Indian ink, in his inkstand, and, rubbing a
small quantity upon the seal, gives a lick with his tongue to the paper
to render it moist and supple, waves it in the air to get rid of excess
of moisture, breathes on his seal, and presses it firmly against the
paper held over the forefinger of the left hand, which acts as a pad. A
very clear impression is thus produced.
Merchants and officials generally have several seals, one for familiar
communications, having simply the man’s name, as “Hassan son of
Houssein;” the next perhaps for sealing cheques or receipts; and a third
for official documents, of larger size, with all his titles on it. He
may even have several other secret or private seals. They are generally
beautifully cut on agate or cornelian. Teheran produces the best
seal-cutters, and the price for engraving is from one farthing to one
pound a letter. Common seals are cut on brass or silver. The rich Turks
of Stamboul have their seals cut in Teheran.
Public-domain text, read in full here on John Shaqi.
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