In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
Contrary to the custom in Ispahan, the houses are here built of
kiln-dried bricks. In Ispahan the houses built with mud or sun-dried
bricks stand at times five and six hundred years, but the clay is
peculiarly tenacious and the climate extremely dry there. Here all
save the houses of the very poor are built of burnt bricks, which are
beautifully white, cheap, and good. The brickwork in Shiraz is often
highly ornamental; elaborate patterns are made in bricks of very small
size upon the walls; these are ever in the best taste and very chaste in
design; the interiors, however, fall short of the Ispahan and Teheran
work; brighter and more gaudy colours are used to suit the more florid
taste of the Shirazi, and the effect is not so good.
In the sunken beds of many of the courtyards are orange trees; the scent
from the blossoms of these is rather overpowering in spring; the beds
beneath are generally covered with a tangle of luxuriant convolvulus
or clover. The oranges are the bitter orange, like that of Seville;
generally a few of the fruit are allowed to remain, and all through the
winter the golden balls make the trees gay. In the bazaar the sweet
oranges from Kafr and Kazerān, limes, fresh dates, pomiloes, shaddocks,
and fresh lemons, show that we are in a warmer zone. And the complexions
of the natives are more swarthy. Here, too, we see the type of the
ancient inhabitant of Fars, the tall straight figure, the clear-cut
features, and the _aquiline_ nose; the eye, too, is much larger, and the
foot much smaller; quite a Jewish cast of countenance is often seen.
Here, too, the ladies’ dresses are gayer. The hideous blue veil is often
of silk, and, among the ladies of rank, generally trimmed with gold
braid. These “Chadūr,” or veils, are very expensive, at times costing,
when the embroidery is deep (and it is always _really_ gold thread), some
ten pounds.
The shirts are clean and white, the big baggy trousers always of bright
silk and always fitting the feet like a glove, the slippers tiny; whereas
the Ispahan lady never goes beyond a sad-coloured cotton for her nether
garment, and the feet coverings are much larger and less natty in cut and
material, as are the feet themselves.
The tall hats of the lower orders are often of felt, and the hideous
triangular cap of chintz of the Ispahani is unknown, save among the Jews.
As evening approaches the sound of music and singing is heard in every
direction, and the professional musicians, singers, and dancers, under
their Mūrshed, Chelinjeh Khan, drive a roaring trade. There are here,
too, many amateurs among the upper classes even; such a thing in Ispahan
as an amateur is very rare. The “kosh guzerān,” or “free liver,” is
openly a toper, and considerable licence is the rule. Even the merchant
out of office hours enjoys himself, and as a rule does not work more than
four days a week.
Public-domain text, read in full here on John Shaqi.
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