In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
History
In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
Books are treated with consideration in Persia. They are generally
bound in boards, and these are elaborately hand-painted, generally with
representations of birds and flowers. From two kerans to two hundred may
be paid for a pair of these boards. Sometimes a book is bound in leather.
This is, however, less common, save for account-books. A sort of outer
envelope of cloth or chintz is made, and the book enclosed in it, thus
preserving the binding and work at the same time.
Great expense, too, is lavished on the pencase (kalam-dān); it is nearly
always of papier-maché, about seven inches long, one wide, and one and a
half deep; it draws open and contains the pens, which are reeds, an ivory
or bone block for nibbing them on, a tiny spoon for moistening the ink,
and a penknife, also the peculiar scissors for trimming paper. At one
extremity is a small box of silver or brass containing a skein of silk,
which absorbs a quantity of Chinese ink, and is wetted with the tiny
spoon as it dries up. A roll of paper is also carried at the girdle, and
a few adhesive strips of thin coloured paper are provided for the closing
of letters.
When it is wished to write a letter, the Persian sits if he can, but
this is not a _sine quâ non_; he tears from his roll of polished paper
(made in the country) a piece of the needful size, and commencing in
the right-hand top corner, he proceeds to fill his sheet, writing from
right to left, and leaving at the left-hand side of his sheet a large
margin of at least an inch; should he reach the bottom of the page, and
have still more to say, he turns the paper round and proceeds to fill
the margin. He then concludes, reads the letter, and with his scissors
carefully trims off the torn edges, and cuts off all needless paper.
If it be an important letter he now seals it at the right-hand bottom
corner, or at the end; the sealing is often repeated on the back, and is
equivalent to our signature. He damps the paper with his tongue, inks his
seal, breathes on it, and presses it sharply on the paper. A permanent
and very distinct impression is the result. He now cuts a tiny piece off
one corner, for to send a _four_-cornered letter brings ill-luck, the
Persians say. The letter is either rolled up and squeezed flat, or folded
as we should fold a spill; it is thus about three to four inches long,
and half an inch to an inch wide. A strip of adhesive paper is rolled
round it, and the end of this is sealed in the same manner as before. The
letter is now addressed.
Titles are continually used in writing letters, and the language is
usually high-flown and even bombastic. Thus an ordinary invitation to
dinner would be couched from one merchant to another:—
Public-domain text, read in full here on John Shaqi.
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