In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881Wills, C. J. (Charles James)
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In the land of the lion and sun, or, modern Persia : $b Being experiences of life in Persia from 1866 to 1881
Wills, C. J. (Charles James)
Iran -- Description and travel; Wills, C. J. (Charles James), 1842-1912 -- Travel -- Iran
Another celebrated dervish, who is a man of some property, draws a good
pension from the Shah, and is sent yearly to some shrine to pray for the
king, his expenses being defrayed from the royal purse. He perpetually
rotates his head, after the manner of the harlequin of the old school,
and incessantly vociferates in a loud voice, _Ali Oh! Ali Oh!_ As he is
always bareheaded, and an old man rather inclined to corpulence, the
result is not edifying; but his perquisites must be very large, as he is
well known to possess the royal favour. Provincial governors and local
magnates treat royally “him whom the king is delighted to honour.” I
have seen this man roll his head continuously and vociferate his cry,
merely pausing for breath, for three hours at a stretch: the power of
doing this continuously can only have been attained by long practice.
His journeys over all Persia are so frequent, and he is so well known,
that in every large town great crowds turn out to gaze on and follow “Ali
Oh!”, by which name the man is always known.
A striking appearance is attained at all hazards; often the clothing
being merely a pair of short drawers, an antelope, panther, or tiger-skin
being slung across the shoulder, and an axe or huge club, often armed
with spikes, being almost invariably carried.
When a dervish meets a horseman or any one of condition he offers him in
the politest manner a flower, or even a leaf or blade of grass; as a rule
it is accepted and a trifle given. At other times the dervish will simply
stretch out his hand or his almsholder, and favour the passer-by with a
steady stare, the word “huc” (my right) being suddenly ejaculated.
Dervishes are often professional story-tellers, the costume being merely
donned for effect; or, as in the case of a highly-gifted story-teller of
my acquaintance, one Aga Nusserulla of Shiraz, a man who earned a good
living by his erudite and interesting tales, the cap only was worn, and
that merely when engaged in his public recitals; he also carried the big
iron axe, with which he gesticulated in a manner really graceful and
artistic.
Public-domain text, read in full here on John Shaqi.
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