Adventure stories; British -- Portugal -- Fiction; Lisbon (Portugal) -- Fiction; Love stories
We hid ourselves among a large quantity of hay, and were scarcely
settled when some one else entered the shed, and I heard him clamber
among some big packing cases. I jumped to the conclusion that either we
had been seen or that Volheno had decided to put a police agent on the
watch.
I dared not speak to Burroughs, and in this trying uncertainty we
waited until the watchman entered, gave a casual glance round with his
lantern, and then locked the doors.
I racked my wits to know what to do about the unwelcome interloper.
Bryant might come to the back entrance at any minute, and we should be
instantly discovered.
Then to my profound relief I heard his voice.
“Are you there, sir?” he asked in a whisper.
“Phew, how that shook me up!” exclaimed Burroughs. “How did you get in,
Bryant?”
“I got rid of the man at his house door as he was going to fetch his
overalls, so I came on at once, sir.”
“All right. But I wish you had said who you were. Get to work with that
lock.”
In a few minutes all was ready and we waited anxiously for the sound of
the king’s approach.
We heard the arrival of the officers in the adjoining shed and could
even catch the low hum of their voices.
The suspense was not a little trying; and I was intensely glad when the
whistle of a launch announced that the king was coming.
CHAPTER XXIII
ON THE _RAMPALLO_
Whenever I read of an actor playing for the first time a part which
is to make or mar his reputation, my thoughts fly back to that wet
squally evening on the Lisbon water-front. The big warehouse with its
piles of varied merchandise; the curiously composite smell with its
predominating scent of hay; the creaking of the tall slide doors at the
front as the wind dashed at them and whistled through the crevices and
whispered and rustled in the cavernous gloom of the building, the hiss
and spume of the waters of the bay, and Burroughs, Bryant and I grouped
together by the smaller door as I stood listening intently for the cue
to “go on.”
I was, and yet was not, nervous. That is, I was sure of myself and
confident of success, was quite cool, and had not a thought of
shrinking from the scene to be played; but at the same time my pulses
were beating very fast, my tongue was dry, and I kept moistening my
lips and biting them, and I could not keep my hands still nor my
fingers from fidgetting, and I am sure I was very pale.
I knew that success or failure might turn upon my giving the signal to
leave the shed at exactly the right moment. If I went too soon, the men
waiting at the end of the narrow passage would know the king had not
had time to pass through the shed from the launch. If I delayed too
long, the king himself might come out before the “abduction” had taken
place.
Public-domain text, read in full here on John Shaqi.
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