Adventure stories; British -- Portugal -- Fiction; Lisbon (Portugal) -- Fiction; Love stories
After a dozen yards or so they paused and the young fellow looked
round. He appeared disconcerted to see that I was watching them, and
drew his mother forward again.
Then I nearly laughed aloud. The woman took two or three steps without
either the waddle or the limp; suddenly recollected herself and went
lame with the wrong foot.
I hastened after them and as they quickened their pace, I called out in
English: “You’ve forgotten which is your lame foot, Miralda.”
They stopped and turned, but even when I was close to them and saw
their faces clearly, I should not have recognized the market woman as
Miralda, nor the lanky youth as Inez, had it not been for Miralda’s
eyes. I had looked too often into them not to know them.
“It is I, Ralph; you’ve been running away from me the last hour or
more,” I added, laughing.
“Ralph!” cried Miralda. “What does it all mean?”
“You shall know all directly, but I must speak to your son there first.
He has not a moment to lose if he means to catch this train.”
“Mr. Donnington?” exclaimed Inez. “Where----”
“You must let me talk, please,” I interrupted. “When Dr. Barosa left
that house he ran into a party of police, but I managed to get a word
or two with him before he fled, and I have to give you this ticket
and the money with it. You are to leave by this train. If you remain
another hour in Lisbon, you will be arrested.”
“Where is he?”
“You haven’t a second to spare,” I cried, giving her the ticket and
pressing the envelope into her hand. “You will learn everything later.
Miralda is pardoned. And now go, or it will be too late;” and I urged
her away in the direction of the barrier, without giving her time to
question me.
She hesitated, walked away a few steps, paused in doubt, and was
turning back, when the call to the passengers to enter the train came.
She choked back a hundred unspoken questions, hurried through the
barrier and got into the train.
With a sigh of satisfaction I watched it move along the platform and
disappear in the darkness, and then turned to Miralda. Her disguise
was really wonderful. The complexion was darkened almost to the tan of
a mulatto, and the skin of the forehead, nose and upper half of the
cheeks was lined very cunningly and had the wrinkled look of age: on
the left side of the face was what looked like the cicatrice of a bad
wound or burn, and on the right a large disfiguring claret-coloured
birth-mark. Both mark and scar extended to the lips, and along the
edges of both and across the lower lip was fastened a cleverly moulded
skin-covered plastic pad which gave the appearance of the flabby cheeks
and fat double chin of a woman of middle age, the lower part being lost
in the folds of a neckerchief.
The effect was grotesque, and as I stared at her in amazement, the
upper part of her face crinkled, while the lower remained stolidly
impassive. “Are you trying to smile?” I asked.
Public-domain text, read in full here on John Shaqi.
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