It is curious, as one follows down the ravine, to hear the different voices. The brook seems as if inhabited by a number of spirits throughout its length, some whispering, some laughing, others singing. Not only are the voices pitched in various keys, but the quality of tone differs essentially. Some are loud and portentous; others, melodious, liquid gurgles. In one place the voice implies an intimate and confidential mood, so gentle, so exquisite, that the full import of the musical conversation is felt only in midstream,--whispers and murmurs which have almost a ventriloquial effect. Countless bubbles glide down the current and vanish one by one. Sunbeams dance over the rapids and out upon the pool, and then, as the sun goes under a cloud, the stream as quickly takes on a somber mood. Presently comes the melodious patter of rain-drops on the ground, an even, sustained note, very different from any voice of the brook as it dimples and answers the rain, one soft voice replying to the other. Already little pools form in hollows of the rock and reflect light, so that the face of Nature is perceptibly brighter. Considering this aspect of the streams, it is easy to see how the primitive mind came to personify them, since the brooks have motion, voice and expression, ripple and laugh in the sunshine and are responsive to the wind and the sky. They are still divinities to the fisherman with whom he comes into an ever closer affiliation, as gentle and poetic as he may be qualified to enjoy. The murmuring waters, the whispering trees, the silver and cupreous gleams of trout are the facts with which he becomes enamored, while he loses affinity with the world, which slips into the background. THE MOUNTAINS He knew the mountains, who said, "I will lift up mine eyes unto the hills from whence cometh my help"; knew them in some intimate, spiritual way, for his words imply a noble association and companionship. Wordsworth understood them in this way, but not as the mountaineer knows them. They are ethereal dream-mountains the poet sees, rather than actual rock and soil. On the horizon the mountains wrap themselves in mysterious light and color and seem invested with certain qualities which they lose near at hand,--as a cloud, so beautiful an object floating in the heavens, is but a fog bank once we are enveloped in it. Distance does actually lend enchantment. The range beyond has always some attraction this one lacks. In truth, mountains are illusory objects, and, to the most matter-of-fact point of view, are something more than rock. That marvelous purple of the distant hills, assumed as an imperial robe, slips away as we approach, and we find them dressed in plain brown homespun. Never do we as much as touch the hem of that royal mantle.