In the open : $b intimate studies and appreciations of natureKirkham, Stanton Davis
History
In the open : $b intimate studies and appreciations of nature
Kirkham, Stanton Davis
Natural history -- Outdoor books
The receding day carries with it the disquieting influences, and night
exorcises the demons of unrest. They scurry away with the sunset clouds
on the horizon like fleeing witches. As if in obedience to some silent
command, the sea becomes passive. He must be distraught indeed who can
look at it now without coming under the spell of the hour--the serene
hour. It is as if the passion and strife of life had been succeeded by
the beautiful calm of death. To gaze on the mute and motionless ocean
at ebb-tide is to be inevitably inspired to reflection, so potent is
the suggestion of repose. Apparently the forces of Nature have
conspired together for peace.
Death? Nay, rather transfiguration, for now the sea is illumined by a
golden radiance. Stretches of burnished copper and molten gold merge
one into the other; areas again of liquid silver, and beyond, the vast
ethereal blue. Out of the coves shadows come creeping and stealing over
the water, silently advancing to overwhelm the rose and copper and
gold, while these recede and slip out to sea, growing fainter and
fainter until they are absorbed in the all-pervading dusk. In the
succeeding darkness one beholds, not the sea, but a vast bottomless
pit, Dantesque and terrible.
Above all else it is the immense vigor of the sea which appeals to us.
We are made to feel the play of cosmic forces. The long stretch of
rocky coast is rude and Titanic; the expanse of ocean suggests that
chaos from which the earth has gradually been redeemed. The waters
piling themselves up are as elemental and chaotic as nebulæ or the
seething envelopes of the sun. It is incredible they should be hitched
to the gentle moon, and should follow that pale phantom like a leashed
panther, now purring, now growling, but obedient always. The mountains
impress one with their age, the sea with its agelessness. Here at least
is something which appears superior to Time. It is no more youth than
it is age--the formless, without beginning and without end, but always
that superabundant vigor, power, freedom.
Denuded woodland and disfigured landscape bring to mind that iron
Necessity which it is not pleasant to see advertised. But the sea is
unimproved. It is the universal solvent, and dissolves the trivial, the
commonplace, the mean, and gives an heroic cast to whatever it touches.
One needs, however, to observe it from the shore and to have that
vantage which is derived from being on land. In mid-ocean it is too
entirely dominant--there is nothing to afford contrast. It is like the
moon--so fair at a distance, such desolation upon its surface. One can
be alone on the mountains and find them friendly, but who would choose
to be alone in mid-ocean? There is a sense of isolation, a
disassociation, as if one had, in fact, severed connection with earthly
affairs altogether; hour after hour and day after day the same
inscrutable desert of water, which begins everywhere and ends nowhere.
Public-domain text, read in full here on John Shaqi.
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