In the open : $b intimate studies and appreciations of natureKirkham, Stanton Davis
History
In the open : $b intimate studies and appreciations of nature
Kirkham, Stanton Davis
Natural history -- Outdoor books
I take home a piece of driftwood, for no ordinary fire, but to kindle
the imagination, for it is saturated with memories and carries with it
the enchantment of the sea. To light this is to set in motion a sort of
magic-play. True _driftwood_ has been seasoned by the waters and
mellowed by the years. Not any piece of a lobster-pot, or pleasure
yacht, or, for that matter, of any modern craft at all is driftwood. It
must have come from the timber of a vessel built in the olden time when
copper bolts were used, so that the wood is impregnated with copper
salts. That is merely the chemistry of it. The wood is saturated with
sunshine and moonlight as well, with the storms and calms of the
sea--its passions, its subtle moods; more than this, it absorbed of the
human life whose destiny was involved with the vessel--the tragedy, the
woe. It had two lives--a forest life and a sea life. By force of
tragedy alone it became driftwood. Winter and summer the sea sang its
brave songs over the boat and chanted her requiem at last as she lay on
the ledge. This fragment drifted ashore out of the wreck of a vessel,
out of the wreck of great hopes, out of the passion of the sea.
Driftwood, then, is to be lighted in a spirit of reverence. No ordinary
blaze, rather is it an altar fire to Poseidon, to whom were immolated
the victims; to Aphrodite born of the waves. Rather is it the funeral
pyre of a sea-bird, now to rise again from its ashes. It is not to warm
the hands, this magic sea-fire, which has borrowed the emerald and
sapphire and azure of the waters and reflects still the phosphorescent
gleam which lay in the wake of the vessel, but to kindle some feeling
and to nurture vague dreams. To set match to this pyre is to invoke the
spirit of the deep, to hear the crooning of some distant surf, the
hissing of the fretful spray; to conjure up again the wondrous opaline
sea.
Somewhere on this phantom ocean rides a phantom bark with all sails
set, which reflect, now a rose-pink, now the faintest imaginable golden
sheen, and disappear in the dusk. Perchance there flits over the mind a
haunting recollection of that lost sea of childhood--that sea of virgin
impressions--to vanish also into the dusk of oblivion.
INDEX
Abdomen, 86, 95, 105.
Acorns, 120, 142, 160, 161.
Acquired tendency, 97.
Adder's-tongue, 20, 61, 67.
Æolus, 64.
Afterglow, 194.
Age, 201.
Agelessness, 201.
Age of fishes, 204.
Air-sac, 18, 19, 77.
Alaska sable, 150.
Alders, 14, 20, 50, 120, 162, 164, 168.
Alpine woodsia, 67, 170.
Alps, 154.
Altar fire, 207.
Amanita, 115, 126.
Amazon, 25.
Aments, 14.
Andromeda, 168.
Anemones, 1, 13, 20, 21, 59, 61, 67, 203.
Animals, 136-138, 142, 146, 187, 189, 191, 192.
Antennæ, 52, 101, 103.
Anthers, 78.
Ant hill, 94, 108.
Ants, 4, 88, 91, 94-107, 109, 111, 112, 145.
Aphid, 100, 101, 112.
Aphrodite, 207.
Apis, 78.
Apple, wild, 148.
April, 142, 169.
Arachne, 78.
Arbutus, 20, 60, 121.
Arctic, 131.
Arctic Circle, 23.
Public-domain text, read in full here on John Shaqi.
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