In the Prison City, Brussels, 1914-1918: A Personal NarrativeTwells, J. H. (Julia Helen Watts)
History
In the Prison City, Brussels, 1914-1918: A Personal Narrative
Twells, J. H. (Julia Helen Watts)
World War, 1914-1918 -- Belgium -- Brussels; World War, 1914-1918 -- Personal narratives
That night the city was in delirium; the streets were a throbbing
mass of joy-drunken beings such as was never seen before. No madness
of carnival could approach the hysterical excitement of the people
in streets illuminated for the first time in two years; in the
cafés, where the almost forgotten sparkle of champagne gleamed in
glasses raised to the cries “_Vive la Belgique! Vive le Roi! Vivent
les Alliés!_” All through the main boulevards, shouting, singing,
and laughing groups were to be seen dancing in large circles,
hand-in-hand, about an English, French, or other Allied prisoner who
had drunk so many glasses of triumph he was generally seated on the
ground, or standing unsteadily, his hollow eyes staring in a dazed
but contented fashion from a face somewhat pale and thin.
In these groups all the Allied nations were blended with merry girls
and boys giving vent to long-suppressed spirits. The Scotch lads, with
their bare legs, flying cap-ribbons, and kilts, gave a delightfully
comic touch, and added to the magic dream-effect of the whole. They
were the cynosure of all eyes, the _pièce de résistance_ of the
foreign element. When their troops passed during the royal procession,
with bag-pipes in full voice, there was a lull of astonished wonder
and interest, followed by a simultaneous outburst of acclamation.
And that interest and admiration did not wane in the evening; crowds
thronged about them, girls clung to them,—and at times the latter
exhibited rather improper curiosity with regard to their “skirts.”
Now and again automobiles, once so rare a sight in Brussels, forced
the dancers apart for a moment, as a swift skiff might separate
bright-coloured dragon-flies dancing above the still surface of a
lake, only that they may unite with more vim after its passing. In
one of these cars, most of which were military, a party of young
American officers with their friends were making a tour of the city
after a gay supper, during which some twelve of them had sung in
full, clear voices all the beautiful and original songs of their
nation, much to the hearers’ delight. At the head of the car floated
a large American flag, borrowed from the café where they had regaled
themselves. That flag was greeted with continual outbursts of
applause, especially as one of the party, a man with the voice of a
ship’s siren, startled even the reigning hubbub with shouts of “_Vive
la Belgique! Vive le Roi! Vive la Liberté!_” Hundreds of voices at
once responded, screaming almost hysterically, “_Vive l’Amérique!_”
“_Vive Wilson!_”—and, as though the two English-speaking nations were
indissolubly united in the public mind, almost every response was
accompanied by “_Vive l’Angleterre!_”
_Allemande_ and the _casque à pointe_ were forgotten. The Kaiser’s
black shadow had fled before the glorious angel of a liberty crowned
with the fairest laurels ever gathered from the bloody fields of
battle—laurels flowering with noble loyalty and jewelled with
imperishable fame.
Public-domain text, read in full here on John Shaqi.
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