In the QuarterChambers, Robert W. (Robert William)
General
In the Quarter
Chambers, Robert W. (Robert William)
Quartier latin (Paris, France) -- Fiction
“Clifford promised to meet us here. He’ll be along soon.”
The pair went out for refreshments and Braith returned to his seat.
The wait between the acts proved longer than was agreeable, and people
grumbled. The machinery would not work, and two heavy scenes had to be
shifted by hand. Good Monsieur Bordier flew about the stage in a
delirium of excitement. No one would have recognized him for the
eminently reasonable being he appeared in private life. He called the
stage hands “Prussian pigs!” and “Spanish cattle!” and expressed his
intention to dismiss the whole force tomorrow.
Yvonne, already dressed, stood at the door of her room, looking along
the alley of dusty scenery to where a warm glow revealed the close
proximity of the footlights. There was considerable unprofessional
confusion, and not a little skylarking going on among the company, who
took advantage of the temporary interruption.
Yvonne stood in the door of her dressing room and dreamed, seeing
nothing.
Her pretty figure was draped in a Grecian tunic of creamy white,
bordered with gold; her soft, dark hair was gathered in a simple knot.
Presently she turned and entered her dressing room, closing the door.
Then she sat down before the mirror, her chin resting on her hands, her
eyes fixed on her reflected eyes, a faint smile curving her lips.
“Oh! you happy girl!” she thought. “You happy, happy girl! And just a
little frightened, for tomorrow he will come. And when he says—for he
will say it—‘Yvonne must we wait?’ I shall tell him, No! take me now if
you will!”
Without a knock the door burst open. A rush of music from the orchestra
came in. Yvonne thought “So they have begun at last!” The same moment
she rose with a faint, heartsick cry. Her sister closed the door and
fastened it, shutting out all sound but that of her terrible voice.
Yvonne blanched as she looked on that malignant face. With a sudden
faintness she leaned back, pressing one hand to her heart.
“You received my letter?” said the woman.
Yvonne did not answer. Her sister stamped and came nearer. “Speak!” she
cried.
Yvonne shrank and trembled, but kept her resolute eyes on the cruel
eyes approaching hers.
“Shall I tear an answer from you?” said the woman, always coming
nearer. “Do you think I will wait your pleasure, now?”
No answer.
“He is here—Mr Blumenthal; he is waiting for you. You dare not refuse
him again! You will come with us now, after the opera. Do you hear? You
will come. There is no more time. It must be now. I told you there
would be time, but there is none—none!”
Yvonne’s maid knocked at the door and called:
“Mademoiselle, c’est l’heuer!”
“Answer!” hissed the woman.
Yvonne, speechless, holding both hands to her heart, kept her eyes on
her sister’s face. That face grew ashen; the eyes had the blank glare
of a tiger’s; she sprang up to Yvonne and grasped her by the wrists.
“Mademoiselle! Mademoiselle! c’est l’heure!” called the maid, shaking
the door.
Public-domain text, read in full here on John Shaqi.
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