In the School-Room: Chapters in the Philosophy of EducationHart, John S. (John Seely)
Philosophy
In the School-Room: Chapters in the Philosophy of Education
Hart, John S. (John Seely)
Teaching
_Boy No. 2_ was a youth of moderate abilities, and was, in all things,
save one, just like other boys. But, in one matter, he had a peculiarity
about which there could be no mistake. That was in the matter of music.
So, after questioning the Professor about various indifferent points,
moral and intellectual, such as reverence, combativeness, secretiveness,
language, ideality, etc., I asked incidentally something also about tune
and music. The answer was such as might be safely given in regard to
ninety-nine out of every hundred persons--some vague, indefinite epithet
that would apply to almost any one. But, seeing a little sparkle in the
eyes before him, the gentleman manipulated the cranium again, and then
expressed himself somewhat more strongly. As his expressions increased
in strength, the excitement of the audience increased, until he was
quite lost in hyperbole, as they were in uproar. He even went into
particulars. "Now," said he, "though I never saw this boy before, yet I
venture to say that his ear for music is so quick that he can pick up
almost any tune by once hearing it played or whistled in the street. [A
general rustle through the school, boys winking and giving knowing looks
one to another.] I dare say he could now sing or whistle a hundred tunes
from memory. [More knowing looks.] Possibly he may never make a very
accurate performer, on account of the very ease with which he picks up a
tune. He learns a tune so easily by the ear, that he will not submit to
the drudgery of studying it scientifically."
"You think, then, Professor, that the boy has decided indications of
musical talent?"
"Undoubtedly. He has musical talents of a very high order [suppressed
shouts] amounting almost to genius!"
The fact was, poor Charlie was the butt of the whole school, on account
of his utter inability to learn the first elements of either the art or
the science of music. He could neither sing, whistle, nor play. He could
hardly tell "Old Hundred" from "Yankee Doodle." Although he had been
taking music-lessons for two years, he could not rise and fall through
the eight notes, to save his neck. His attempts to do so were a sort of
indiscriminate goo, goo, goo, like that of an infant; and the excitement
among the boys, which the Professor had mistaken for applause and
admiration, grew out of their astonishment. They were simply laughing at
him.
Public-domain text, read in full here on John Shaqi.
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