United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
As at last, in the deepening twilight, the people reluctantly began
moving toward home, such conversation as they had the heart for seemed
to be exclusively centred upon Miss Parmalee, and this queer despatch
of hers. Slow-paced, strolling groups wended their way along the main
street, and then up this side thoroughfare and that, passing in every
block some dark and close-shuttered house of mourning, and instinctively
sinking still lower their muffled tones as they passed, and carrying
in their breasts, heaven only knows what torturing loads of anguish and
stricken despair--but finding a certain relief in dwelling, instead,
upon this lighter topic.
One of these groups--an elderly lady in black attire and two younger
women of sober mien--walked apart from the others and exchanged no words
at all until, turning a corner, their way led them past the Parmalee
house. The looming bulk of the old mansion and the fragrant spaciousness
of the garden about it seemed to attract the attention of Mrs. Ransom
and her daughters. They halted as by a common impulse, and fastened a
hostile gaze upon the shadowy outlines of the house and its surrounding
foliage.
“If Dwight dies of his wound,” the mother said, in a voice all chilled
to calmness, “his murderess will live in there.”
“I always hated her!” said one of the daughters, with a shudder.
“But he isn’t going to die, mamma,” put in the other. “You mustn’t think
of such a thing! You know how healthy he always has been, and this is
only his shoulder. For my part, we may think ourselves very fortunate.
Remember how many have been killed or mortally wounded. It seems as if
half the people we know are in mourning. We get off very lightly with
Dwight only wounded. Did you happen to hear the details about Mr.
Pulford?--you know, the photographer--some one was saying that he was
mortally wounded.”
“She sent him to his death, then, too,” said the elder Miss Ransom,
raising her clenched hand against the black shadow of the house.
“I don’t care about that man,” broke in the mother, icily. “Nobody knows
anything of him, or where he came from. People ran after him because he
was good-looking, but he never seemed to me to know enough to come in
when it rained. If she made a fool of him, it was his own lookout. But
Dwight--my Dwight--!”
The mother’s mannered voice broke into a gasp, and she bent her head
helplessly. The daughters went to her side, and the group passed on into
the darkness.
VI
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account