United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“Go ’long with yeh!” said Ma’rye, vivaciously. But she too put a hand on
Esther’s other shoulder.
The school-teacher nestled against M’rye’s side. “I tell you what,” she
said, softly, “if Jeff ever turns out to be half the man his father is,
I’ll just be prouder than my skin can hold.”
MARSENA
I
Marsena Pulford, what time the village of Octavius knew him, was
a slender and tall man, apparently skirting upon the thirties, with
sloping shoulders and a romantic aspect.
It was not alone his flowing black hair, and his broad shirt-collars
turned down after the ascertained manner of the British poets, which
stamped him in our humble minds as a living brother to “The Corsair,”
“The Last of the Suliotes,” and other heroic personages engraved in the
albums and keepsakes of the period. His face, with its darkling eyes
and distinguished features, conveyed wherever it went an impression
of proudly silent melancholy. In those days--that is, just before the
war--one could not look so convincingly and uniformly sad as Marsena did
without raising the general presumption of having been crossed in love.
We had a respectful feeling, in his case, that the lady ought to have
been named Iñez, or at the very least Oriana.
Although he went to the Presbyterian Church with entire regularity, was
never seen in public save in a long-tailed black coat, and in the winter
wore gloves instead of mittens, the local conscience had always, I
think, sundry reservations about the moral character of his past. It
would not have been reckoned against him, then, that he was obviously
poor. We had not learned in those primitive times to measure people by
dollar-mark standards. Under ordinary conditions, too, the fact that
he came from New England--had indeed lived in Boston--must have counted
rather in his favor than otherwise. But it was known that he had been
an artist, a professional painter of pictures and portraits, and we
understood in Octavius that this involved acquaintanceship, if not even
familiarity, with all sorts of occult and deleterious phases of city
life.
Our village held all vice, and especially the vice of other and larger
places, in stern reprobation. Yet, though it turned this matter of the
newcomer’s previous occupation over a good deal in its mind, Marsena
carried himself with such a gentle picturesqueness of subdued sorrow
that these suspicions were disarmed, or, at the worst, only added to the
fascinated interest with which Octavius watched his spare and solitary
figure upon its streets, and noted the progress of his efforts to find a
footing for himself in its social economy.
It was taken for granted among us that he possessed a fine and
well-cultivated mind, to match that thoughtful countenance and that
dignified deportment.
Public-domain text, read in full here on John Shaqi.
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