United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
There were three or four of the Colonel’s daughters--all tall, well-made
girls, with strikingly dark skins, and what we took to be gypsyish
faces. Their appearance certainly bore out the rumor that their mother
had been an opera-singer--some said an Italian, others a lady of
Louisiana Creole extraction. No information, except that she was dead,
ever came to hand about this person. Her daughters, however, were very
much in evidence. They seemed always to wear white dresses, and they
were always to be seen somewhere, either on their lawn playing croquet,
or in the streets, or at the windows of their house. The consciousness
of their existence pervaded the whole village from morning till night.
To watch their goings and comings, and to speculate upon the identity
and business of the friends from strange parts who were continually
arriving to visit them, grew to be quite the standing occupation of the
idler portion of the community.
Before such of our young people as naturally took the lead in these
matters had had time to decide how best to utilize for the general good
this influx of beauty, wealth, and ancestral dignity, the village was
startled by an unlooked-for occurrence. A red carpet was spread one
forenoon from the curb to the doorway of the Episcopal church: the
old-fashioned Parmalee carriage turned out, with its driver clasping
white reins in white cotton gloves; we had a confused glimpse of the
dark Parmalee girls with bouquets in their hands, and dressed rather
more in white than usual: and then astonished Octavius learned that
two of them had been married, right there under its very eyes, and had
departed with their husbands. It gave an angry twist to the discovery to
find that the bridegrooms were both strangers, presumably from New York.
This episode had the figurative effect of doubling or trebling the
height of that stone wall which stood between the Parmalee place and the
public. Such budding hopes and projects of intimacy as our villagers
may have entertained toward these polished newcomers fell nipped and
lifeless on the stroke. Shortly afterward--that is to say, in the autumn
of 1860--the family went away, and the big house was shut up. News came
in time that the Colonel was dead: something was said about another
daughter’s marriage; then the war broke out, and gave us other things to
think of. We forgot all about the Parmalees.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account