United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“Guess that’s a pretty good plan too,” mused Mr. Shull. “Somehow you
can’t seem to make ’em out at all. Now, I’ve been around a good deal,
and yet somehow I don’t feel as if I knew much about women. I’m bound
to say, though,” he added upon reflection, “they know considerable about
me.”
“I suppose the first thing we know now,” remarked the boy, impatiently
changing the subject, “McClellan ’ll be in Richmond. They say it’s liable
to happen now any day.”
Newton Shull was but a lukewarm patriot. “They needn’t hurry on my
account,” he said. “It would be kind o’ mean to have the whole thing
fizzle out now, jest when the picture business has begun to amount to
something. Why, we must have took in up’ards of $11 to-day--frames
and all--and two years ago we’d ’a’ been lucky to get in $3. Let’s see:
there’s two fifties and five thirty-fives, that’s $2.75, and the Dutch
boy with the drum, that’s $3.40, counting the mat, and then there’s Miss
Parmalee--four daguerreotypes, and two negatives, and small frames for
each, and two large frames for crayons she’s going to do herself, and
cord and nails--I suppose she’ll think them ought to be thrown in--”
“What! didn’t you make her pay in advance?” asked the boy. “I thought
everybody had to.”
“You got to humor some folks,” explained Mr. Shull, with a note of
regret in his voice. “These big bugs with plenty o’ money always have to
be waited on. It ain’t right, but it has to be. Besides, you can always
slide on an extra quarter or so when you send in the bill. That sort o’
evens the thing up. Now, in her case, for instance, where we’d charge
ordinary folks a dollar for two daguerreotypes, we can send her in a
bill for--”
Neither Mr. Shull nor the boy had heard Mar-sena’s descending steps on
the staircase, yet at this moment he entered the little work-room and
walked across it to the bay window, where the printing was done. There
was an unusual degree of abstraction in his face and mien--unusual even
for him--and he drummed absent-mindedly on the panes as he stood looking
out at the street or the sky, or ‘whatever it was his listless gaze
beheld.
“How much do you think it ’ud be safe to stick Miss Parmalee apiece
for them daguerreotypes?” asked Newton Shull of his partner.
Marsena turned and stared for a moment as if he doubted having heard
aright. Then he made curt answer: “She is not to be charged anything at
all. They were made for her as presents.”
It was the other partner’s turn to stare.
“Well, of course--if you say it’s all right,” he managed to get out,
“but I suppose on the frames we can--”
“The frames are presents, too,” said Marsena, with decision.
IV
Public-domain text, read in full here on John Shaqi.
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