There is the less need to apologize for now essaying to portray sundry scenes of which I was not an actual witness, in that the reader must by this time be heartily disposed to welcome an escape from my wearisome _ego_, at any expense whatsoever of historical accuracy. Nor is it essential to set forth in this place the means by which I later came to be familiar with the events now to be described--means which will be apparent enough as the tale unfolds. Dusk is gathering in the great room to the right and rear of the wide hall at Cairncross, and a black servant has just brought in candles, to be placed on the broad marble mantel, and on the oaken table in the centre of the room. The soft light mellows the shadows creeping over the white and gold panelling of the walls, and twinkles faintly in reflection back from the gilt threads in the heavy curtains; but it cannot dispel the gloom which, like an atmosphere, pervades the chamber. Although it is June, and warm of mid-days, a fire burns on the hearth, slowly and spiritlessly, as if the task of imparting cheerfulness to the room were beyond its strength. Close by the fireplace, holding over it, in fact, his thin, wrinkled hands, sits an old man. At first glance, one would need to be told that it was Mr. Stewart, so heavily has Time laid his weight upon him in these last four years. There are few enough external suggestions now of the erect, soldierly gentleman, swift of perception, authoritative of tone, the prince of courtiers in bearing, whom we used to know. The white hair is still politely queued, and the close-shaven cheeks glisten with the neat polish of the razor's edge; but, alas! it is scarcely the same face. The luminous glow of the clear blue eyes has faded; the corners of the mouth, eloquently resolute no longer, depend in weakness. As he turns now to speak to his companion, there is a moment's relief: the voice is still calm and full, with perhaps just a thought of change toward the querulous in tone. "I heard something like the sound of hoofs," he says; "doubtless it is Philip." "Perhaps, father; but he is wont to be late, nowadays." Here the change _is_ in the voice, if little else be altered. It is Daisy who speaks, standing by his chair, with one hand upon his shoulder, the other hanging listlessly at her side. Like him she looks at the smouldering fire, preferring the silence of her own thoughts to empty efforts at talk. The formal, unsympathetic walls and hangings seem to take up the sad sound of her murmured words and return it to her, as if to emphasize her loneliness. "The rooms are so large--so cold," she says again, after a long pause, in comment upon a little shiver which shakes the old man's bent shoulders. "If we heaped the fireplace to the top, it could not make them seem home-like."