Authors, Russian -- Biography; Gorky, Maksim, 1868-1936; Russia -- Social life and customs
Over the table hung a lamp; over the stove, another. They gave a feeble
light; thick shadows gathered in the corners of the workshop, from
which looked half-painted headless figures. The dull, gray patches in
place of hands and heads look weird and large, and, as usual, it seemed
to me that the bodies of the saints had secretly disappeared from the
painted garments. The glass balls, raised right up to the ceiling, hung
there on hooks in a cloud of smoke, and gleamed with a blue light.
Jikharev went restlessly round the table, pressing hospitality on every
one. His broad, bald skull inclined first to one and then to another,
his thin fingers always were on the move. He was very thin, and his
nose, which was like that of a bird of prey, seemed to have grown
sharper; when he stood sideways to the light, the shadow of his nose
lay on his cheek.
"Drink and eat, friends," he said in his ringing tenor.
"Why do you worry yourself, comrade? They all have hands, and every one
has his own hands and his own appetite; more than that no one can eat,
however much they may want to!"
"Rest yourself, people," cried Jikharev in a ringing voice. "My
friends, we are all the slaves of God; let us sing, 'Praise His Name.'"
The chant was not a success; they were all enervated and stupefied by
eating and vodka-drinking. In Kapendiukhin's hands was a harmonica
with a double keyboard; young Victor Salautin, dark and serious as a
young crow, took up a drum, and let his fingers wander over the tightly
stretched skin, which gave forth a deep sound; the tambourines tinkled.
"The Russian dance!" commanded Jikharev, "little comrade, please."
"Ach!" sighed the woman, rising, "what a worry you are!"
She went to the space which had been cleared, and stood there solidly,
like a sentry. She wore a short brown skirt, a yellow batiste blouse,
and a red handkerchief on her head.
The harmonica uttered passionate lamentations; its little bells rang;
the tambourines tinkled; the skin of the drum gave forth a heavy, dull,
sighing sound. This had an unpleasant effect, as if a man had gone mad
and was groaning, sobbing, and knocking his head against the wall.
Public-domain text, read in full here on John Shaqi.
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