How are the imprecations to be explained? The explanation is not difficult, nothing _is_ difficult--to a comparative mythologist. Gladstone is the sun, the enemy of Darkness. But Darkness has her worshippers as well as Light. Set, no less than Osiris, was adored in the hymns of Egypt, perhaps by kings of an invading Semitic tribe. Now there can be no doubt that the enemies of Gladstone, the Rishis, or hymn- writers who execrated him, were regarded by his worshippers as a darkened class, foes of enlightenment. They are spoken of as "the stupid party," as "obscurantist," and so forth, with the usual amenity of theological controversy. It would be painful, and is unnecessary, to quote from the curses, whether matins or vespers, of the children of night. Their language is terribly severe, and, doubtless, was regarded as blasphemy by the sun-worshippers. Gladstone is said to have "no conscience," "no sense of honour," to be so fugitive and evasive in character, that one might almost think the moon, rather than the sun, was the topic under discussion. But, as Roth points out, this is easily explained when we remember the vicissitudes of English weather, and the infrequent appearances of the sun in that climate. By the curses, uttered as they were in the morning, when night has yielded to the star of day, and at evening, when day is, in turn, vanquished by night, our theory of the sun Gladstone is confirmed beyond reach of cavil; indeed, the solar theory is no longer a theory, but a generally recognized fact. Evidence, which is bound to be confirmatory, reaches us from an altar and from works of art. The one altar of Gladstone is by some explained as the pedestal of his statue, while the anthropological sciolists regard it simply as a milestone! In speaking to archaeologists it is hardly necessary even to touch on this preposterous fallacy, sufficiently confuted by the monument itself. On the road into western England, between the old sites of Bristol and London, excavations recently laid bare the very interesting monument figured here. [Sketch of monument: image1.jpg] Though some letters or hieroglyphs are defaced, there can be no doubt that the inscription is correctly read G. O. M. The explanation which I have proposed (Zeitschrift fur Ang. Ant) is universally accepted by scholars. I read Gladstonio Optimo Maximo, "To Gladstone, Best and Greatest," a form of adoration, or adulation, which survived in England (like municipal institutions, the game laws, and trial by jury) from the date of the Roman occupation. It is a plausible conjecture that Gladstone stepped into the shoes of Jupiter Optimus Maximus. Hence we may regard him (like Osiris) as the sum of the monotheistic conception in England.