occurred,--‘it was not thus that our fathers achieved national and civic greatness.’ And again: ‘All the feelings of an English parent revolt,’ &c. Or: ‘And now, sir, where is this to end?’--a phrase applied at one moment to the prospects of religion and morality, at another to the multiplication of muffin-bells. On a Sunday afternoon, Mr. Barmby often read aloud to his daughters, and in general his chosen book was ‘Paradise Lost.’ These performances had an indescribable solemnity, but it unfortunately happened that, as his fervour increased, the reader became regardless of aspirates. Thus, at the culmination of Satanic impiety, he would give forth with shaking voice-- ‘_Ail, orrors, ail! and thou profoundest Ell, Receive thy new possessor!’_ This, though it did not distress the girls, was painful to Samuel Bennett, who had given no little care to the correction of similar lapses in his own speech. Samuel conceived himself much ahead of his family. Quite uneducated, in any legitimate sense of the word, he had yet learnt that such a thing as education existed, and, by dint of busy perusal of penny popularities, had even become familiar with names and phrases, with modes of thought and of ambition, appertaining to a world for ever closed against him. He spoke of Culture, and imagined himself far on the way to attain it. His mind was packed with the oddest jumble of incongruities; Herbert Spencer jostled with Charles Bradlaugh, Matthew Arnold with Samuel Smiles; in one breath he lauded George Eliot, in the next was enthusiastic over a novel by Mrs. Henry Wood; from puerile facetiae he passed to speculations on the origin of being, and with equally light heart. Save for Pilgrim’s Progress and Robinson Crusoe, he had read no English classic; since boyhood, indeed, he had probably read no book at all, for much diet of newspapers rendered him all but incapable of sustained attention. Whatever he seemed to know of serious authors came to him at second or third hand. Avowing his faith in Christianity when with orthodox people, in the society of sceptics he permitted himself to smile at the old faiths,--though he preferred to escape this temptation, the Nonconformist conscience still reigning within him. At home he posed as a broad-minded Anglican, and having somewhere read that Tennyson’s ‘In Memoriam’ represented this attitude, he spoke of the poem as ‘one of the books that have made me what I am.’