In Times of Peril: A Tale of IndiaHenty, G. A. (George Alfred)
History
In Times of Peril: A Tale of India
Henty, G. A. (George Alfred)
India -- History -- Sepoy Rebellion, 1857-1858 -- Juvenile fiction
The Warreners at once went in to Brigadier-General Jones, to whom they
had been attached since the fall of General Nicholson. As they were
supernumeraries on his staff, the general at once gave them leave, and
in high delight they followed their friend--a most gallant and fearless
officer, who had greatly distinguished himself by the dashing exploits
which he had executed with his troop of irregular horse--to his camp
outside the walls. Half an hour later they were riding at a trot toward
the spot where the ex-emperor had taken refuge. Their route lay across
ground hitherto in possession of the enemy, and they rode past
thousands of armed budmashes, or blackguards, of Delhi, who had left
the city, and were making their way to join some of the rebel leaders
in the field. These scowled and muttered curses as the little troop
rode by; but the blow which had just been dealt was so crushing, the
dread inspired by British valor so complete, that although apparently
numerous enough to have destroyed the little band without difficulty,
not a man dared raise his voice or lift a weapon.
"What are all these wonderful ruins?" Dick asked Captain Hodgson, by
whose side they were riding.
"This is where old Delhi stood. These great buildings are tombs of
kings and other great men; the smaller houses have gone to dust
centuries ago, but these massive buildings will remain for as many
centuries more. Wait till you see Kotub Minar; in my opinion there is
nothing in India or in the world to equal it."
Another half-hour's riding brought them into sight of a magnificent
shaft of masonry, rising far above the plain.
"That is the Minar," Captain Hodgson said; "it is the same word as
minaret. Is it not magnificent?"
The Kotub Minar is an immense shaft tapering gradually toward the top.
It is built in stages, with a gallery round each. Each stage is
different. In one it is fluted with round columns like a huge mass of
basalt. In another the columns are angular; and in the next, round and
angular alternately. The highest stage is plain. The height is very
great, and the solidity of execution and the strength of the edifice
are as striking as its height and beauty.
They were not, however, to go so far as the Kotub, for, questioning
some peasants, they learned that the king had halted at a building
called Durzah-Nizam-oo-deen. The gates were shut, and it was certain
that the king would have a large body of retainers with him. Matchlock
men showed at the windows and on the roof, and things looked awkward
for the little troop of cavalry. Captain Hodgson rode forward, however,
without hesitation, and struck on the great gate. A window by the side
of the gate opened, and he was asked what was wanted.
"I am come to take, and to carry into Delhi, the ex-king and his
family. It is better to submit quietly, for if I have to force my way
in, every soul in the place will be put to the sword."
Public-domain text, read in full here on John Shaqi.
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