In Times of Peril: A Tale of IndiaHenty, G. A. (George Alfred)
History
In Times of Peril: A Tale of India
Henty, G. A. (George Alfred)
India -- History -- Sepoy Rebellion, 1857-1858 -- Juvenile fiction
With many thanks for the ranee's offer, the boys at once decided to
join their countrymen; and accordingly next morning after a kind
farewell from their protectress, they started before daybreak under
charge of their driver of the day before, and, still in their disguises
of native women, made their way to a point on the line of route outside
the town. There were but few people here, and, just as day broke the
head of the sad procession came along. The women and children, the sick
and wounded--among the latter Sir H. Wheeler, the gallant commander of
the garrison--were in wagons provided by the Nana; the remnant of the
fighting men marched afterward. Hastily dropping their women's robes,
the boys slipped in among the troops, unnoticed by any of the guards of
Nana's troops who were escorting the procession.
A few words explained to their surprised compatriots that they were
fugitives who had been in shelter in the town, and many a word of
welcome was muttered, and furtive handshakes given. In return the boys
were able to give the news of the arrival of the British before Delhi,
and the commencement of the siege, all of which was new to the
garrison, who had been for twenty-two days without a word from the
outer world. At last the column reached the ghat, or landing-place,
fixed upon for their embarkation.
Here seventeen or eighteen boats were collected. The way down to the
river was steep, for the bank of the Ganges is here rather high, and
covered with thick jungle. At the top of the ghat is a small Hindoo
temple. The wounded and sick were carried down the bank and placed in
the boats, the ladies and children took their places, the officers and
men then followed. When all was ready, the Nana's officer suddenly
called the native boatmen to come ashore to receive their wages for the
passage down to Benares.
Public-domain text, read in full here on John Shaqi.
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