In Unfamiliar England: A Record of a Seven Thousand Mile Tour by Motor of the Unfrequented Nooks and Corners, and the Shrines of Especial Interest, in England; With Incursions into Scotland and Ireland.Murphy, Thos. D. (Thomas Dowler)
History
In Unfamiliar England: A Record of a Seven Thousand Mile Tour by Motor of the Unfrequented Nooks and Corners, and the Shrines of Especial Interest, in England; With Incursions into Scotland and Ireland.
Murphy, Thos. D. (Thomas Dowler)
Great Britain -- Description and travel
that many visitors now came like ourselves.
There are no finer stretches of road in Scotland than the broad,
beautifully engineered highway from Carlisle to Lanark, winding among
the hills with grades so gentle as to be almost imperceptible. The
rain, which followed us since we left Carlisle, has ceased and many
panoramas of hill and valley lie before us. Oftentimes the low-hung
clouds partially obscure the view, but aside from this the scene
stretches away clear and sharp to the gray belt of the horizon. We are
passing through the hills of Tintock Moor, which Burns has sung as
"Yon wild mossy mountains so lofty and wide
That nurse in their bosom the youth of the Clyde."
They may have seemed "lofty and wide" to the poet who never left his
native soil, but they are only low green hills. The river here is
little more than a brawling brook, leaping through the stony vale.
Before we came into Edinburgh we paused at Rosslyn Chapel, perhaps,
after Melrose, Abottsford and Ayr, the most frequented shrine in all
Scotland. Conveyances of all kinds ply continuously from Edinburgh
during the season, and though the day was not especially favorable,
we found a throng at the chapel. The chapel is admittedly the most
elaborate Gothic building in Britain. The intricacy and minuteness of
detail are simply marvelous and compel the admiration of even those
who condemn the ornamentation as overdone and wearisome when studied
closely; still, Sir Gilbert Scott designated Rosslyn as "a poem in
stone," and Wordsworth was so impressed that he wrote one of his finest
sonnets in praise of it.
One must of course hear the oft-told story of the master workman who,
puzzled over the intricate drawings of one of the carved pillars, went
to Rome to consult the architect of the Vatican; but while he was away
his apprentice solved the problem and when the builder returned the
finished column greeted his eyes. He was so enraged at the success of
the apprentice in overcoming the difficulty that he struck the poor
youth dead at the foot of the pillar and was hanged for the crime.
Anyway, the pillar is there and it is not at all unlikely that the
master workman was hanged--a very common incident in those days.
Nor will the guide forget to remind you that in the vault beneath your
feet the barons of Rosslyn for the past six hundred years have been
buried, each one sheathed in full armor. And there is a tradition that
on the night before the death of a lord of Rosslyn the chapel seems to
be enveloped in flames, a superstition upon which Scott founded his
ballad of "Rosabelle."
"Seemed all on fire that chapel proud
Where Rosslyn's chiefs uncoffined lie,
Each baron for a sable shroud
Sheathed in his iron panoply."
Public-domain text, read in full here on John Shaqi.
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