"But let them gang where'er they may, There's no' a spot on earth Like ancient Caledonia yet, The land that ga'e them birth. "They ha'e nae grand auld Abbeys there, Or battered castles hoary, Or heather hills, or gow'ny glens, That teem wi' sang and story. "Nae doot they've bigger rivers there, An' broad an' shinin' lakes; I wadna leave oor classic streams Or burnies, for their sake. "The lonely cot, the bracken brae, The bonnie milk-white thorn; The bent frae where the lav'rock springs To hail the dawn o' morn. "The thrashy syke, the broomy knowe, The gnarled auld aik tree, Gi'e joys that riches canna buy In lands ayont the sea." But not all of his fellow-countrymen feel so about it, and numbers of them all over the world are "gathering gear" year after year with proverbial thriftiness, though they seldom lose their love for old Caledonia, or forget--to quote Mr. Laidlaw again: "the thatched cot with ivy clad, The hame o' boyhood's happy days. "Content were we with but-and-ben A divot shiel, a broom-thatched byre; We got our eldin frae the glen, In winter kept a roosin' fire. "There my kind mother sang sae cheery While she was spinnin' on the wheel; The winter nights we ne'er did weary, We liked her sangs and cracks sae weel. "When faither us'd oor shoon to mend, Auld Border tales he wad relate; Or read ben in the other end The grave 'Night Thoughts' or 'Fourfold State.'" Besides the poems, the book contains several addresses and essays which show the bent of Mr. Laidlaw's mind, among them, "Robert Burns," "Dr. John Leyden," and "The Songs of Scotland." Besides his literary achievements, we learned that Mr. Laidlaw is a Fellow of the Scotch Antiquarian Society and a recognized authority on the antiquities of Jedburgh and vicinity. We left him with regret, and hope that some day our wanderings may enable us to renew his acquaintance. We followed the Teviot road to Kelso, a few miles away, where the substantial and comfortable appearance of the Cross Keys induced us to stop for the night--after an investigation by which we assured ourselves that conditions within accorded with outward appearances, a practice to which we had become more and more partial.