In Wildest Africa, Vol. 1Schillings, C. G. (Carl Georg)
History
In Wildest Africa, Vol. 1
Schillings, C. G. (Carl Georg)
Africa, Central -- Description and travel; Hunting -- Africa; Natural history -- Africa; Nature photography
High over my head the voice of the pretty avocet (_Recurvirostra
avocetta_, L.), one of the most charming forms of the bird world known
to us, transports me by magic to the distant and mournful lakes of
the Masailand wilderness. What the dwarf bustards (_Otis gindiana_,
Oust.) keep calling out to each other with their continually repeated
“Rágga-ga-rágga” is not to be discovered. But their cry, which has
kept the fancy of the natives busy since olden days, is as inseparably
associated with regions on which the grass grows high, as the voices
and cries of the sandfowl, the francolins, and, above all, the jarring
outcries of the guinea-fowl, on the velt. All the manifold voices of
doves, cuckoos, parrots, hornbills, bee-eaters, shrikes, orioles,
starlings, finches, weaver-birds, sylvians, and the rest, calling,
exulting, rejoicing, uttering cries of alarm or complaint, have woven
themselves into my recollections of happy days and days of toil.
Thus there still rings in my ear the triple note of the yellowish
green bulbul (_Pycnonotus layardi_, Gurn.), which, like our sparrow,
is present everywhere, till one almost tires of it. Most curious
is the friendly play which the handsomely coloured glossy starling
(_Spreo superbus_, Rüpp.) carries on with a weaver-bird (_Dinemellia
dinemelli_, [Hartl.] Rüpp) in flights like those of our sparrows. It
comes back to me all the more vividly when I recall the notes uttered
by these two birds, which, though such close friends and taking such
delight in each other’s company, are so distantly related. The curious
warbling of the honey-finder (_Indicator indicator_, Gm.), which often
guides the man who follows it to a wild bees’ nest, also easily makes
a permanent impression on the ear of the traveller.
And there are many other bird-voices that delight any one who takes
pleasure in sound. When silvery moonbeams streamed over the camp, the
night-jars (especially _Caprimulgus fossei_ [Verr.] Hartl.) buzzed
and hummed forth their strange song everywhere around. No matter how
remote and desolate the wilderness in which the traveller laid down
his head to rest, these goat-suckers were to be heard. Their voice
makes a strong impression on us even in our own country in the lonely
woods, but its effect is much more striking, on the far-off equatorial
velt. With noiseless soft beating of its wings the bird comes gliding
past us; its wings almost touch us. When it pours forth its song, its
monotonous sleepy song, I could listen to it for hours. In the daytime
it starts up suddenly from the ground here and there in front of you,
uttering the feeblest of cries, that it is impossible to represent. In
the next instant it vanishes like some huge moth, and even the sharpest
eye cannot distinguish it amongst the dry branches and leaves, or
clinging close to the rocky ground. The song of the night-jar is among
my most vivid recollections of the bird-voices of Africa.
Public-domain text, read in full here on John Shaqi.
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