In Wildest Africa, Vol. 1Schillings, C. G. (Carl Georg)
History
In Wildest Africa, Vol. 1
Schillings, C. G. (Carl Georg)
Africa, Central -- Description and travel; Hunting -- Africa; Natural history -- Africa; Nature photography
It may seem that I myself am not quite guiltless of such misdeeds.
It is true that I named an island, that resort of the wild buffaloes
in the Pangani River, “Heck Island,” in honour of Professor Ludwig
Heck. But the island had till then no name whatever. One feels sad, on
glancing over the map of Africa, to note the degradation of so many
old traditional names, which is in no way justified, and is a sign
of the hasty and violent introduction of civilised life. “The Boers
are not people who think much about natural history,” says a writer
somewhere. And in fact, through their agency, the euphonious names of
the various wild species of South Africa are now to a great extent
already obsolete. They hastily gave vulgar-sounding names of their own
to the wild animals.[39] Thus the oryx antelope became the “gemsbock,”
and the cow-antelope, because it was tenacious of life and difficult
to kill, the “hartebeest.” The gnu, on account of its wildness, was
called the “wildebeest,” the bustard the, “pauw,”[40] the hyena the
“wolf,” and the giraffe--incredible though, it may seem--the “kameel”!
Hand in hand with this went the changing of place-names: so we read of
“Hartebeests Fontein,” “Olifants River,” “Kameeldoorn,” “Zwartkop,” and
we have a whole series of unpleasant, and sometimes utterly ugly names
by the introduction of which the beautiful aboriginal names of various
places have become obsolete. Thus not only do the primitive inhabitants
of the land disappear, but their names, too, are blown away upon the
wind.
Countless are the voices that resound by day in the Nyíka. But by night
these voices speak still more mysteriously and wonderfully to him who
listens to them, bringing him into still closer union with nature. From
the multitude of these voices I choose a few only.
Old memories come back to me! It is in the year 1896. I have just
landed, and am sitting in my night shooting-encampment by an inlet
of the sea near Dar-es-Salaam. A concert of the voices of nocturnal
birds mingles with the sharp buzz of the mosquitoes. Again and again
one hears a strange cry. Unspeakably sad and monotonous, this peculiar
sound rings out over the waters of the inlet; in the distance a
changing answer comes back in response to it.
[Illustration:
_C. G. Schillings, phot._
FLIGHT OF SANDFOWL.]
I did not then suspect _that it would take me nearly a year_ to be
absolutely certain that this sound was uttered by an extremely shy and
restless kind of cuckoo!
Public-domain text, read in full here on John Shaqi.
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