In Wildest Africa, Vol. 1Schillings, C. G. (Carl Georg)
History
In Wildest Africa, Vol. 1
Schillings, C. G. (Carl Georg)
Africa, Central -- Description and travel; Hunting -- Africa; Natural history -- Africa; Nature photography
“During a sleepless night,” said Richard Wagner, “I once went out upon
the balcony of my window on the Grand Canal at Venice. As if in a deep
dream the legend-haunted city of the lagoons lay spread out before me
under the darkness. Out of the soundless silence there came the loud
call of a gondolier waking up just then on his boat ... then from the
farthest distance the same call answered back along the dark canal;
I recognised the old, melancholy, melodious sounds, doubtless as old
as the canals of Venice and their people. After a solemn pause the
far-sounding dialogue at last began, and it seemed to me to melt into
harmony, till the notes heard close at hand and coming more softly from
afar died away as sleep came back to me again.”
Who could describe in such noble words the impression made upon our
minds by the spell of the sounds and songs of the nocturnal wildness,
and all its strange and beautiful music? All that at first is strange
there, and even alarming, comes gradually to be something one loves
intimately. Shall I ever be able to listen to it all again? Who knows?
Let me try then to make some record of what I have so often heard, and
in these few sentences attempt to give some faint echo of these once
familiar voices.
We are in the midst of the great forest. Giant podocarpus and juniper
trunks rise up towards the sky. It is cool and shady all around us
here; we breathe a moist, and not unfrequently a musty air. The
sunlight plays only upon the tops of these giants of the primeval
woods, and can but scantily illumine the almost bare ground below them,
sending here and there shimmering, dancing rays of light amongst the
tree-trunks. High overhead the giants arch their branches, interlacing
them in a vast living roof of green. Only where clearings make a
break in the mass of trees, a sea of light floods all the ground--a
flood of light so strong that our eyes, accustomed to the obscurity,
the mysterious semi-darkness of the forest, are dazzled, and there
comes to our minds involuntarily recollections of old Bible pictures,
in which such floods of light are shown streaming down from heaven to
earth. A confusion of trees, creepers and undergrowth, with amidst it
uprooted tree-trunks lying mouldering away; the earth black, and often
marshy; no road or way far and wide, but only here and there the tracks
and beaten paths made by the elephants and rhinoceroses that have
roamed the old forest since primeval times.
[Illustration:
_C. G. Schillings, phot._
ZEBRAS AND GNUS. [p. 292]
Deep silence all around. If the traveller stands still and holds his
breath, this silence seems to weigh down upon the soul with a weird
force. At such moments it is as though some vague disaster threatened,
or something wicked and dangerous were creeping around unseen.
Public-domain text, read in full here on John Shaqi.
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