Incidents of Travel in Yucatan, Vol. II.Stephens, John L.
History
Incidents of Travel in Yucatan, Vol. II.
Stephens, John L.
Yucatán (Mexico : State) -- Description and travel
We returned to the casa real, made a lavation, which we much needed,
and went over to the cura's to dine. If he had not reminded us
beforehand that it was Friday and Lent, we should not have discovered
it. In fact, we were not used to dainties, and perhaps the good cura
thought we had never dined before. It was not in nature to think of
moving that afternoon, and, besides, we were somewhat at a loss what to
do. The cura had unsettled our plans. He had made inquiries, and been
informed that there were no ruins at San Antonio, but only a cueva, and
we had had enough of these to last us for some time; moreover, he
advised us of other ruins, of which we had not heard before. These were
on the rancho of Santa Ana, belonging to his friend Don Antonio
Cerbera, the alcalde. Don Antonio had never seen them, but both he and
the cura said they intended to visit them; and they spoke particularly
of a casa cerrada, or closed house, which, as soon as the dry season
came on, they intended to visit con bombas, to blow it up! The cura was
so bent upon our visiting this place, that almost in spite of ourselves
we were turned in that direction.
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CHAPTER IX.
Departure from Bolonchen.--Lose the Road.--Sugar Rancho.--A new
Section of Country.--Rancho of Santa Rosa.--Annoyance from
Fleas.--Visit to the Ruins of Labphak.--A lofty Structure.--Apartments,
&c.--Staircases.--Doorways.--Interesting Discovery.--Courtyard.--Square
Building on the second Terrace.--Ornaments in Stucco.--Oblong Building
on the third Terrace.--Colossal Figures and Ornaments.--Centre
Apartment.--Tokens of recent Occupation.--Ground Plan of the lower
Range of Apartments.--Sculptured Bas-reliefs.--Builders adapted their
Style to the Materials at Hand.--Abode at the Ruins.--Wants.--Moonlight
Scene.--Painting.--Circular Holes.--Range of
Buildings.--Staircases.--Ornaments in Stucco.--Rain.--Love of the
Marvellous.
Public-domain text, read in full here on John Shaqi.
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