I remember every detail. At first it seemed to me enormous--this
advancing shadow--far beyond human scale; but as it came nearer, I
measured it, though not consciously, by the organ pipes that gleamed in
faint colours, just above its gradual soft approach. It passed them,
already half-way across the great room. I saw then that its stature was
that of ordinary men. The prolonged booming of the clock died away. I
heard the footfall, shuffling upon the polished boards. I heard another
sound--a voice, low and monotonous, droning as in prayer. The figure
was speaking. It was a woman. And she carried in both hands before her
a small object that faintly shimmered--a glass of water. And then I
recognised her.
There was still an instant’s time before she reached me, and I made use
of it. I shrank back, flattening myself against the wall. Her voice
ceased a moment, as she turned and carefully drew the curtains together
behind her, closing them with one hand. Oblivious of my presence,
though she actually touched my dressing-gown with the hand that pulled
the cords, she resumed her dreadful, solemn march, disappearing at
length down the long vista of the corridor like a shadow. But as she
passed me, her voice began again, so that I heard each word distinctly
as she uttered it, her head aloft, her figure upright, as though she
moved at the head of a procession:
‘A drop of cold water, given in His name, shall moisten their burning
tongues.’
It was repeated monotonously over and over again, droning down into the
distance as she went, until at length both voice and figure faded into
the shadows at the farther end.
For a time, I have no means of measuring precisely, I stood in that
dark corner, pressing my back against the wall, and would have drawn
the curtains down to hide me had I dared to stretch an arm out. The
dread that presently the woman would return passed gradually away. I
realised that the air had emptied, the crowd her presence had stirred
into activity had retreated; I was alone in the gloomy under-spaces of
the odious building.... Then I remembered suddenly again the terrified
women waiting for me on that upper landing; and realised that my skin
was wet and freezing cold after a profuse perspiration. I prepared to
retrace my steps. I remember the effort it cost me to leave the support
of the wall and covering darkness of my corner, and step out into the
grey light of the corridor. At first I sidled, then, finding this
mode of walking impossible, turned my face boldly and walked quickly,
regardless that my dressing-gown set the precious objects shaking as I
passed. A wind that sighed mournfully against the high, small windows
seemed to have got inside the corridor as well; it felt so cold; and
every moment I dreaded to see the outline of the woman’s figure as she
waited in recess or angle against the wall for me to pass.
Public-domain text, read in full here on John Shaqi.
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