Moleson was an ambitious and energetic personality, absorbed in his
profession, alive to the poetical as well as to the practical value
of archaeology, and he made at first a wholly delightful impression
upon me. An instinctive _flair_ for his subject had early in life
brought him success and a measure of fame as well. His knowledge was
accurate and scholarly, his mind saturated in the lore of a vanished
civilisation. Behind an exterior that was quietly careless, I divined
a passionate and complex nature, and I watched him with interest as
the man for whom the olden sun-worship of unscientific days held
some beauty of reality and truth. Much in his strange book that
had bewildered me now seemed intelligible when I saw the author. I
cannot explain this more closely. Something about him somehow made it
possible. Though modern to the finger-tips and thoroughly equipped with
all the tendencies of the day, there seemed to hide in him another self
that held aloof with a dignified detachment from the interests in which
his ‘educated’ mind was centred. He read living secrets beneath museum
labels, I might put it. He stepped out of the days of the Pharaohs if
ever man did, and I realised early in our acquaintance that this was
the man who had exceptional powers of ‘resistance and self-protection,’
and was, in his particular branch of work, ‘unusual.’ In manner he
was light and gay, his sense of humour strong, with a way of treating
everything as though laughter was the sanest attitude towards life.
There is, however, the laughter that hides--other things. Moleson, as
I gathered from many clues of talk and manner and silence, was a deep
and singular being. His experiences in Egypt, if any, he had survived
admirably. There were at least two Molesons. I felt him more than
double----multiple.
In appearance tall, thin, and fleshless, with a dried-up skin and
features withered as a mummy’s, he said laughingly that Nature had
picked him physically for his ‘job’; and, indeed, one could see him
worming his way down narrow tunnels into the sandy tombs, and writhing
along sunless passages of suffocating heat without too much personal
inconvenience. Something sinuous, almost fluid in his mind expressed
itself in his body too. He might go in any direction without causing
surprise. He might go backwards or forwards. He might go in two
directions at once.
Public-domain text, read in full here on John Shaqi.
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