The two of them rose side by side before my bursting eyes. I knew
not where to look. Like some child who confronts its giants upon the
nursery floor, I turned to stone, unable to think or move. I stared.
Sight wrenched itself to find the men familiar to it, but found
instead this symbolising vision. I could not see them properly. Their
faces were spread with hugeness, their features lost in some uncommon
magnitude, their shoulders, necks, and arms grown vast upon the air. As
with the desert, there was physiognomy yet no personal expression, the
human thing all drowned within the mass of battered stone. I discovered
neither cheeks nor mouth nor jaw, but ruined eyes and lips of broken
granite. Huge, motionless, mysterious, Egypt informed them and took
them to herself. And between us, curiously presented in some false
perspective, I saw the little symbol of To-day--the Blüthner piano. It
was appalling. I knew a second of majestic horror. I blenched. Hot and
cold gushed through me. Strength left me, power of speech and movement
too, as in a moment of complete paralysis.
The spell, moreover, was not within the room alone; it was outside and
everywhere. The Past stood massed about the very walls of the hotel.
Distance, as well as time, stepped nearer. That chanting summoned the
gigantic items in all their ancient splendour. The shadowy concourse
grouped itself upon the sand about us, and I was aware that the great
army shifted noiselessly into place; that pyramids soared and towered;
that deities of stone stood by; that temples ranged themselves in
reconstructed beauty, grave as the night of time whence they emerged;
and that the outline of the Sphinx, motionless but aggressive, piled
its dim bulk upon the atmosphere. Immensity answered to immensity....
There were vast intervals of time and there were reaches of enormous
distance, yet all happened in a moment, and all happened within a
little space. It was now and here. Eternity whispered in every second
as in every grain of sand. Yet, while aware of so many stupendous
details all at once, I was really aware of one thing only--that the
spirit of ancient Egypt faced me in these two terrific figures, and
that my consciousness, stretched painfully yet gloriously, included
all, as She also unquestionably included them--and me.
For it seemed I shared the likeness of my two companions. Some lesser
symbol, though of similar kind, obsessed me too. I tried to move, but
my feet were set in stone; my arms lay fixed; my body was embedded in
the rock. Sand beat sharply upon my outer surface, urged upwards in
little flurries by a chilly wind. There was nothing felt: I _heard_ the
rattle of the scattering grains against my hardened body....
Public-domain text, read in full here on John Shaqi.
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