Independence Day : $b its celebration, spirit and significance as related in prose and verse
History
Independence Day : $b its celebration, spirit and significance as related in prose and verse
Fourth of July -- Poetry; Fourth of July celebrations; Fourth of July orations
The emphatic and determining word in this question is the adverb “most.”
To answer conclusively, the method must be comparative; it is not enough
to stir the emotions of patriotism, to excite the imagination of the
poetic soul, to depict with skill bygone scenes so that they live again.
The intellectual faculties must be satisfied that the chosen incident is
truly an incident, that it is dramatic, and that it is more dramatic than
all others in our history.
Definition seems but a poor prelude to the drama, but as the defender
of the Constitution began his reply to Hayne by asking for the reading
of the resolution before the Senate, it may be permissible to refer to
the dictionary for guidance, as the storm-tossed mariner of Webster’s
metaphor glanced at the sun to rectify his course.
“Incident,” as used in the given question, can mean only “something which
takes place in connection with an event or series of events of greater
importance” (Century Dictionary), since any broader meaning of the word
would be too inclusive, and might permit the naming of a whole epoch.
“Dramatic” (by the same author) is “characterized by the force and
animation in act or expression appropriate to the drama.” Force and
animation may of course be psychical or physical; but if psychical they
must find expression in some form appreciable by the senses, else they
are not dramatic.
Bearing these guiding principles in mind, let us see in what moment of
American history we shall find that incident so connected with greater
events, and so expressed as to be “The most dramatic”—that incident
toward which all preceding events led, and from which subsequent events
have sprung. Let us then select as expressing that incident the most
forceful and animated action that would be appropriate to dramatic
representation.
The periods of American history are the traditionary, that of discovery
and exploration, that of colonization. These three are preparatory,
and “American” only in a geographical sense. Then come the period
of revolution, that of nationality and rebellion and finally the
present—which may be called the period of expansion, since it marks for
good or for evil the birth of the nation as a world power.
These periods group naturally into two great classes: I. America as an
appanage of Europe. II. America as independent. The transition from one
existence to the other took place in an instant of time. Before the
Declaration of Independence our nation did not exist; once that document
was ratified, the United States was created a nation.
Here, then, is the dividing of the ways; here the act of divine creation
of which our forefathers were but the human instruments. This is the one
universally celebrated and commemorated moment in our history—the birth
of “a new nation conceived in liberty, and dedicated to the proposition
that all men are created equal.”
Public-domain text, read in full here on John Shaqi.
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