India : $b the pearl of Pearl RiverSouthworth, Emma Dorothy Eliza Nevitte
General
India : $b the pearl of Pearl River
Southworth, Emma Dorothy Eliza Nevitte
Louisiana -- Social life and customs -- 19th century -- Fiction; Man-woman relationships -- Fiction
Early the next morning Mark Sutherland descended to the drawing-room. No
one was there except Oriole, who had just stepped from her mistress’s
boudoir, and was crossing the room, on her way to some other part of the
house. Once more Mark Sutherland was mournfully affected by the
marvellous, the fatal beauty of the poor girl. As she met and was
passing him, with eyes cast down, cheeks painfully flushed, and heart
beating, as it had too well learned to beat with fear at the look of
man, his heart was moved with deep pity. He had known her from her
infancy; he held out his hand, and spoke to her, saying—“How do you do,
Oriole? You have not spoken to me since my arrival.” But without
touching his hand, or even venturing a glance at his face, the maiden
dropped a quick courtesy as she passed, and hurried on her errand.
“Poor, hunted, trembling deer!” said Mark: “she cannot even trust a
friend. Is it possible to save her?”
His thoughts dwelt with painful but vain intensity upon the hapless
girl, and it was many minutes before the old familiar scene around
him—suggestive as it was of the most joyous as well as the most painful
passages in his past life—could recall him to himself.
He gazed around. The sliding doors and the flowing curtains that divided
the boudoir from the saloon, were drawn entirely back, revealing the
whole apartment. Yes; here was the same saloon, the temple of joyous
reunions, and the same boudoir, the shrine of beauty, love, and
happiness. The same, yet how changed from all the pristine splendour of
the past! Then all was order, beauty, freshness, and enjoyment. Now all
was indifference, neglect, decay, and desolation. Even there, in the
sacred boudoir of India—the latest sanctuary of elegance and luxury—rust
and must, mildew and canker, had crept over all. There the sumptuous
hangings of purple and gold, that made the bower seem like some gorgeous
oriental sunset scene, were now faded and tarnished—the royal purple
turned to a dull, streaked brown and drab—the gold cankered with green
verdigris. The cheval mirrors were specked thickly with mildew, and
obscured with fly-stains; the marble tables stained and smirched; and,
for the fragrance of fresh flowers, a close, damp, stifling smell of
must pervaded the apartment. All was cheerless, hopeless, desolate.
Public-domain text, read in full here on John Shaqi.
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